Pencil Reminiscing, Part Eleven

This is the final part of our Pencil Reminiscing series. This last set of pencil notecards is Mineral King again. This one was done near the end of the last century, after I figured out how to handle the textures of landscape views. I don’t remember where this set falls in the sequence of notecard sets, but it seems fitting to conclude this series of posts with Mineral King.

These views still look the same today. Well, not TODAY, but last summer, and hopefully the summer of 2020, after all the snow melts.

Pencil Reminiscing, Part Ten

Somewhere along the path of creating notecard packages, I did a set of Mineral King scenes, a mini-set of four instead of five, without the identifying label. Instead, I inserted a photocopy of what was inside.

Judging from the quality of the background landscaping, this was still early in the sequence of notecard sets.

The old Ranger Station was from a postcard; the others were from my photos, so they were current at the time (and still look almost the same).

I think these were tied up with raffia, oh so very elegantly rustic.

Planning Time

Each year in January, I evaluate the Mineral King paintings that sold over the summer. I make lists of sizes, subject matter, what sold, what didn’t sell. Then I plan what to paint for the next summer, choosing sizes, subject matter, and photos to work from.

Because there are many guests who return yearly to Silver City where my paintings sell, I have to be careful to vary the sizes and views, while maintaining a good inventory of the most popular subjects. The classic view of the Crowley Cabin with Farewell Gap in the background remains the top seller; the Honeymoon Cabin and Sawtooth are usually neck and neck for second place. After that, anything with water, and as long as I add wildflowers, any other subject usually sells.

The 6×18″ format has done very well, either horizontal or vertical. It is unusual and fits into squishy little spaces. 

Painting this time of year can be uncomfortable in the workshop. Trail Guy lights the heater, and then we shut the doors to keep the heat in. Sometimes the cats are on the wrong side of the door (whichever side they are on is usually the wrong side for them.)

Of course I had to start with my favorite subject, the Oak Grove Bridge.

The next largest size I’ll need this coming summer is 10×10″. These are small sizes for oil paintings if sold in a gallery; I am selling these in a store that caters to folks who travel light. Different locale, different clientele, so different sizele. (Sorry, that just fit there.)Good start to this season’s paintings. I’m cold, so I’ll go in the studio now where the heater is more effective and I can’t hear the neighbor’s dogs as loudly.

Painting Big

Painting big in oils is harder than painting big on a mural. Not sure why just yet, but not giving up either.

This painting sat for a week or so at this stage.
The smallest tree in the main central clump of trees is there in real life, but it adds nothing. Looking at the painting for a week helped me see this. Now it is gone from the painting.
I was looking at several photos and couldn’t figure out which was my main reference. So, I asked Trail Guy which lighting situation he preferred, and for him, it was a “no brainer”. That helped me stop jumping from this angle to that one and back again. Then I covered the canvas with a first layer so almost no white space remains.

There are many hours remaining to complete this painting. I am the Central California artist, my specialty is Mineral King, and I can do this! (a little pep talk to myself.) Maybe if I think hard enough about this, I’ll figure out what is so difficult and then find a way through.

Going Bigger

In the post “Eight Things I Learned in October”, #3 said, “It is time to think about painting larger.”

Doing rather than just talking is something I value, so. . .

. . .I began a larger painting, and am slowly coming to understand the reason it feels necessary. Most of my paintings are 12×16″ and smaller, with a handful of 18×24″; this is fine for the art and craft fairs, but not so fine if I ever want to get into galleries. Do I? Not sure, but it can’t hurt to be prepared. (What I’d really like is for the hoped-for boutique motel to come to Three Rivers and buy my paintings!)

Here we go – 18×36″, practically a mural in my world.
Working from a previous version of the same scene, 6×18″, on my laptop screen.
The proportions of 18×36″ are different than the 6×18″, so I am struggling a bit with placement and sizes. I can do this!! (One would hope so, since I have painted the scene about 3 or 4 dozen times).
Looks as if we will be on this for awhile.

I need a bit more gratification, a quicker sense of accomplishment. First, I’ll go outside and enjoy some fall colors, try to get a sense of something other than “OH NO WHAT HAVE I BEGUN?”

Tomorrow you will see my quick fix to fulfill the need to complete something.

More Mineral King in the Studio

I’ve been looking forward to painting in the painting studio/workshop for a few weeks. Going to Sandy Eggo, working on the mural, time in Mineral King – all good things, but still things that prevented painting in the studio. Life is a series of choices and consequences.

Almost finished.
Drying on the table beneath its companion commissioned Mineral King oil paintings.

Painting Mineral King in the Studio

This is a commissioned oil painting of Mineral King. The Friend/Customer wanted a painting to fit a particular space and match some of her other paintings. This magical scene was her decision, and I am happy to comply.

Here we go, step by step.

From the top: the original reference photo, the reference photo that her other painting came from, first layer of the 6×18″ painting, a print of the other time I painted this scene.
What’s going on here? I already like the painting! Normally I just hold my nose (figuratively, not literally) at this stage of a painting.

Maybe something I learned in the plein air painting sessions is improving my studio painting. (Or maybe this is just a magical scene.)

Another Do-Over

These colors aren’t right.
Better!

When I was new to oil painting, I was bound to photos. That is the best way for me to learn – mix the colors to match the photo. Finally, after many years of painting, I have developed the ability and confidence to just make scenes look as good as I am able.

P.S. This is Mineral King, which I am sure you figured out.

Mineral King Wildflower Quest

A friend told me about a new wildflower by Crystal Creek, so Trail Guy, The Farmer, Hiking Buddy, and I went to see.

When she described the flower, I said, “Sounds like Nettleleaf Horsemint”. But she didn’t remember a serrated leave edge, and I can rarely resist the call of a new flower.

it is on the left side of this picture and I KNOW it is Nettleleaf Horsemint.
Taller than last year’s model.
Brighter, too.
Still so many flowers in September, still so green! (This was a week ago, so it may have changed.)

Crimson Columbine in September?! Yeppers. (They are small – can you see them?)
And the Bigelow Sneezeweed are still going strong.

I dragged my hiking partners along for a quest that ended in nothing except a good time in a beautiful place on a great day. Well, wah.

100 page paperback, flowers in photos, common names only, lots of chatty commentary, $20 including tax.
Available here
Also available at the Three Rivers Historical Museum, Silver City Store, from me if I put them in my car, or Amazon.

Making Arrangements

In the Art World, people who really like an artist and buy more than one piece of art from her are called “collectors”. In my world, I call them “friends”.

A friend who has several of my paintings (and quite a few drawings too) asked me to help her figure out how to arrange them. Since she lives 250 miles away, I did this via the magic of technology.

She sent me a photo so I could see which 4 pieces she had and how she just put them willy-nilly on existing nails. (I won’t show that photo, because of my strong policies of protecting people’s privacy on the World Wide Web.)

I made up these vignettes for her. (Oops, sorry, “vignette” is Art Speak for little illustration.)

She has a favorite arrangement from these. Do you?

It probably depends on the space to be filled. And there are probably many other options too, but I didn’t want to overwhelm her. That would be rude to any friend, especially one who collects my art.