Painting Mineral King Like Nobody’s Business

Forrest’s Dream Cabin still feels a bit daunting, too hard, too challenging. Maybe I am just lazy. Or the hateful time change still has me dragging. Or too many trips down the hill in one week threw me off my stride. 

Excuses, excuses. Even when I am in a diminished state of mental energy and toughness, I can paint Mineral King like nobody’s business*. 

When these are dry, I will hook up my old computer to the old scanner and scan them so you can get a better look. Tomorrow I will show you the ones that I photographed because they are too large for the scanner by ONE LOUSY INCH. (Who decided that 17″ was a good dimension for a scanner??)

*Such a strange cliché but I am not interested enough to look it up.

Details, Details

The new Mineral King oil paintings continue along, three going from lacking in details to completed.

The background of this 6×18″ Oak Grove bridge looks pretty good, but there are some missing architectural details.

Details in place, drying in the sunshine.

Lots of missing details here:

Details in place, drying in the sunshine.

Here is the 8×8″ Oak Grove bridge painting in steps. Architectural details still missing, but background looking good.

Details in place, drying with its unfinished cousins.

P.S. Here is a link to a teaser page about my upcoming show, Still Here. Arts Visalia

Summer’s Coming

Yes, yes, I know it is still March, my second favorite month (interpret that either way you would like). But summer comes every year, and with it comes the need for me to supply Silver City Resort with oil paintings to sell. There isn’t a lot to paint of Silver City itself, and as nice as it is, people go there BECAUSE IT IS NEAR MINERAL KING.

Excuse me for shouting. I feel that all the way to my toes, since I took a job at Silver City in 1985 BECAUSE IT IS NEAR MINERAL KING.

Here are the paintings that I have begun in order to have merchandise for Silver City to sell.

New Mineral King Paintings

Take a deep calming breath. There are no new ones yet, but “Starting New Mineral King Oil Paintings” is too long a title. However, I have fired up the Mineral King Painting Machine (that is a particular part of my brain that gets a little time off in winter).

First, I read through my lists of what sold, what remains, what subjects and sizes are missing. (That step isn’t one that I can photograph for you.)

Then I decide on canvas sizes, look through my photos, and make decisions. Last year more medium sized paintings sold than small ones. I have plenty of small ones remaining, so the sizes I’ll be painting now are 8×8″, 10×10″, and 6×18″. “Medium”? In my world, yes, these are medium sizes. (This step was tricky in that I had to figure out what to do with my large oil paintings that are still wet in order to use the table.)

There are many ways to start oil paintings. I chose a haphazard semi-lazy just-draw-it-on-the-canvas method. I don’t have a lot of hustle right now – just plodding forward is getting the job done. (More coffee? Start eating sugar again? Nah.)

Scribble scribble, dab, pick any color, just do something.

That’s a decent start. 

Can I take a break now? A little recess, perhaps? Maybe I’ll go weed my baby poppies, because I love February.

Completed Wildflower Paintings

Sort of completed. There is always waiting to dry, scanning, titling, adding to the website, varnishing, more waiting to dry, and sometimes packaging and shipping. . .

Well, would you just look at that?

Every one of these paintings shows Timber Gap.

Why??

Because the best place for wildflowers in Mineral King is up the Franklin/Farewell Gap trail, which is across the valley from Timber Gap. 

There are other places with good wildflowers, but this is our favorite. (“Our” refers to Trail Guy and your Central California artist.)

Now is a good time to remind you of my book. (The museum remains closed for the time being and Silver City isn’t planning to open until June 5.)

 

100 page paperback, flowers in photos, common names only, lots of chatty commentary, $20 including tax.
Available here
Also available at the Three Rivers Historical Museum, Silver City Store, from me if I put them in my car, or Amazon.

Continuing at the Easels

These little Mineral King paintings got some skies. It was cold and rainy, which meant it was dark in the painting workshop. Trail Guy kept offering to light the heater; that meant I’d have to shut the door, but I needed all the light there was, so brrr.

I worked more on the commissioned painting of the little Mineral King cabin, working from several photos to make up the scene. The customer requested that I put a horizontal subject into a vertical format; in order to make that work, I added mountains that weren’t visible to that degree in real life. This meant we had to do a lot of communicating and adjusting until the painting fit both her memory and the space she wants to hang it.

I scanned it, thinking it was finished. Then she asked about the doorknobs. It needed more trees behind and above the cabin. Bearskin, the patch of snow on the right slope of Vandever (peak on the right side of Farewell Gap) didn’t look the way she remembered it. 

The purpose of a commission is to create just what the customer wants.

(The color is different between photographs and scans.) I made the requested adjustments, and then reworked Bearskin yet again, with the customer’s help. (We might have stood closer than 6 feet to accomplish this, but so far, so good, health-wise.)

The most difficult commissioned drawings and paintings are the ones when the customer wants me to do something that I cannot see. This is possible only when the customer can articulate what she wants. My approach is that a commission isn’t finished until the customer is happy.

What is this??? 

The customer was so happy that she asked me to paint it again, smaller, to give away. (Just in case the intended recipient is reading, I’ll keep this information to myself).

Upside down is not an April Fool’s Joke. It helps me see the shapes more accurately. That might be a little unsettling to you, so we’ll continue more conventionally.

Not done, but moving quickly since all the difficult decisions were conquered in the original version.

More Mineral King Oils

Drying in the morning sun; this time all three vertical 6×18″ Mineral King oil paintings are finished.

This is how they look in the afternoon light. I’ll wait until they are completely dry, then photograph them, because they are too big for the scanner.

Lupine comes in many colors, so I just mixed up a shade of bluish purple that looked good with the painting. The photo lupine color was too pink and it wasn’t believable to me.

Next, I moved on to the current painting of my favorite subject, the Oak Grove Bridge.

This is the stage where I detail it to the nth degree, the style of painting that plein air painters usually don’t bother with. (They might be too tired of swatting bugs by them.)

Oh my, I really like this one! (Yep, I am allowed to like my own work.)

Have you noticed that ever since I published Mineral King Wildflowers: Common Names that I almost always include wildflowers in my paintings? What took me so long to figure this out?

One more Mineral King painting, this one a commission, working from a customer photo and some conversation about how to present things. (Not the Honeymoon cabin – this cabin is no longer standing).Before I go any further, my customer will need to let me know if this is the arrangement she has in mind.

Oil Interlude

“Interlude” is a musical term that means in interruption with a lude. 

Wait, what?

Nothing. Just messing around with words. After finishing the oak tree mural, I had days of appointments, administrative work, errands, and other things that interfered with painting, However, I did get in a few days of painting Mineral King scenes, and here are the results.

Started this one back in early January, a 10×10″.
I felt confident and hardly looked at the photo while finishing.
Is it finished? When it is dry, I’ll see if there is a believable way to add some wildflowers.
This is 6×18″, a fun format and size to paint. It forces me to distill a scene to its essence.
It will need wildflowers. The title is “Mineral King Wildflowers”, so duh.
Oak Grove Bridge # 29. Probably a higher number, but I was a little sloppy in my earlier record keeping.
Three almost finished.
These three next.

In the interest of offering these paintings for sale, the following advertisement is for your convenience/to ignore – your choice.

I sell 6×18″ for $150 plus tax which brings it to about $160; the square is 10×10″ for $175 plus tax, about $190. The plan is to have a good inventory for this coming summer, but if you are interested in buying any of these paintings now, it can be arranged. Comment here or contact me with the contact button or email me or say something to Trail Guy if you see him at the Post Office or grocery store.

Tightening Up Plein Air Paintings

This past summer I painted plein air (on location) in Mineral King for the first time in about a dozen years. The results were mixed; I wasn’t fully satisfied with 2 of the paintings.

So, I put them back on the easels last month and tightened up the details. Can you see the difference?

Before
After – Crowley Cabin, 8×10″, oil on wrapped canvas, $125
Before
After – Empire and Cabins, 8×10″, oil on wrapped canvas, sold

There are always more things I could have done. (Time for me to stop looking at these.) And be assured, they always look better in person.

Making Arrangements

In the Art World, people who really like an artist and buy more than one piece of art from her are called “collectors”. In my world, I call them “friends”.

A friend who has several of my paintings (and quite a few drawings too) asked me to help her figure out how to arrange them. Since she lives 250 miles away, I did this via the magic of technology.

She sent me a photo so I could see which 4 pieces she had and how she just put them willy-nilly on existing nails. (I won’t show that photo, because of my strong policies of protecting people’s privacy on the World Wide Web.)

I made up these vignettes for her. (Oops, sorry, “vignette” is Art Speak for little illustration.)

She has a favorite arrangement from these. Do you?

It probably depends on the space to be filled. And there are probably many other options too, but I didn’t want to overwhelm her. That would be rude to any friend, especially one who collects my art.