The Same Mineral King Scene

I paint the same Mineral King scenes over and over. One in particular sells very well. It is the classic Mineral King scene, the view from the bridge at the end of the road. Farewell Gap, the East Fork of the Kaweah River and the Crowley family cabin.

Let’s look at these in order of painting. There are variations in time of year, color of light, amount of snow on the peaks, amount of water in the stream, size of the fir tree on the left, arrangement on the canvas, and skill level of the artist. (Don’t mention this to my boss – she’ll get worried that I might ask for a raise.)

There are 32 of these in my iPhoto, but I don’t think that corresponds with the way I’ve titled them. Sometimes I can’t count very well. (Oh great, there goes my raise.)

And no, I won’t put all 32 in this post. They also might not be in order of getting painted. (There goes my raise for sure.)

Farewell Gap, 2007
Farewell Gap, 2007
Farewell Gap IV, 2007
Farewell Gap IV, 2007

Now there is a gap in time. Either I numbered the paintings wrong, or I took a big break from painting Farewell Gap. I think I spent a few years painting nothing but oranges, trying to get more comfortable with oil painting.

Farewell Gap VIII, 2010
Farewell Gap VIII, 2010
Farewell Gap, 2010
Farewell Gap, 2010
Farewell Gap in snow, 2010
Farewell Gap in snow, 2010
Farewell Gap, a do-over in 2010?
Farewell Gap, a do-over in 2010?

This might have been a repaint to the 2nd one above. Oh man, don’t tell my boss. She would be shocked, dismayed and disappointed at my shoddy record keeping.

Stop by again tomorrow for more Farewell Gap Mineral King oil paintings.

 

 

Layer After Layer After Layer

That’s how I paint – layer after layer after layer. The Artspeak word for that is “glazing”, but I prefer English.

Layer one – Should have begun with the sky, but I asked my boss and she said, “Do whatever you want, if you think you’re so smart!” I didn’t want to mix up sky color – lazy or unmotivated or just rebellious that day, and my boss wasn’t paying attention anyway.

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I’ve painted this Mineral King scene a few times before, so sometimes I just want to experiment because it gets a little boring. Maybe I ought to try painting it without looking at photos – that would be a challenge.

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But I digress. Layers, we were talking about layers on Mineral King oil paintings. Or layers of Mineral King oil paintings. I could fill a room. . . I wonder if you could arrange them in order of experience. . . I wonder if I could.

Whoops. There were a lot of unphotographed layers in between the first picture and this one. Guess I got into it and forgot to show you the steps.

Now you can see the baby steps, incremental changes as the photos move along.

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It is time to dry, and then I will put in all the tiny improvements and details that you need to see in person to properly appreciate. It might even require reading glasses, cheaters, middle-aged-magnifiers to see those details.

I’m not sure I like the willows that are not yet leafed out. . . they do pull your eye to the cabin, but the cabin pulls your eye to the cabin.

(Hey! Stop pulling my eye – you are going to pop out my contact lens that way!)

 

Next. . . a new ugly beginning, waiting for layers.

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Second Most Popular Mineral King Painting

The second most popular scene I do as a Mineral King painting or drawing is the Honeymoon Cabin.

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Bottom canvas is the beginnings of another oil painting of the Honeymoon Cabin in Mineral King.

This is the one remaining cabin from the resort days in Mineral King. The resort was owned by Ray and Gem Buckman, and they sold to Disney, thinking that the ski resort was an inevitable next step in Mineral King.

It wasn’t. No ski resort, but Disney ended up owning property. This is the only structure remaining, and the Mineral King Preservation Society turned it into a little museum.

It is quaint. It is scenic. It is paintable.

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Working from 2 photos, pulling the best features from each one to make the painting as appealing as possible.
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Reshaped the top-right of Vandever (the mountain), began adding greenery to the juniper tree on the left and the red fir on the right. (I think it is a red fir – I should know after painting and drawing it multiple times!)
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Now it is looking like something I might be willing to sign with my name (as opposed to Mickey Mouse’s name?)

 

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This just needs to dry so I can scan it. Photos taken while wet usually have this weird sheen. . . that’s why the gable end of the cabin looks sort of faded here.

Honeymoon Cabin #?, 8×10″, oil on wrapped canvas, $100. Use the contact button underneath the About The Artist tab if you’d like to buy this before it sells at the Silver City Resort.

More New Mineral King Paintings

But wait! There’s More!

Why does that always elicit a smile or a chuckle?

Because it is obnoxiously obnoxious.

Here are the other paintings I finished last week. It was very hot in Three Rivers, so they dried quickly outdoors, and I was able to scan them without getting paint on the scanner.

It is horrible to get paint on a scanner. It’s even more horrible to scratch the glass trying to remove the paint. Best to not ask me how I know this.

Five new little oil paintings of Mineral King, all for sale at the Silver City Resort (unless they already sold!)

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This week I had some special visitors to my studio. These are folks I’ve known since the 1980s, plus some extended family members. One of my old friends said, “I think your painting is improving.”

I hope so! I’ve been oil painting for 10 years, and if there has been no improvement, I need to quit.

Nope, not quitting.

New Mineral King Paintings

Last week I was a ninja-crazy painting factory, cranking out oil paintings of Mineral King. This is high season in the high country, and it is busy. Gotta get ’em done, visible, and selling.

Sounds a bit like a mercenary, an artist of fortune.

Nah. No fortunes are being made here. Just painting Mineral King.

 

1627 Sawtooth XVI
Sawtooth XVI, oil on wrapped canvas, 8×8″, $100
1628 Sawtooth XVII
Sawtooth XVII, oil on wrapped canvas, 8×8″, $100

Drying Mineral King

“Drying Mineral King” means drying the paintings of Mineral King.

Want to see what that looks like?

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The paintings start on the peg board in the painting workshop. Then I begin scooting them around outside. The 2 of Sawtooth are currently on the tractor-seat stool outside the studio, getting direct sun and a breeze. The goal is to have them dry enough to place face down on the flatbed scanner without smearing oil paint on the glass.

Here in Central California, we have sunshine and heat and breezes in abundance. I wonder what artists do in other places. . .

More Painting Mineral King

Much of the spring and summer so far has been spent working on coloring books (or in Israel) instead of painting. Suddenly, painting Mineral King in oils has become my main focus.

It takes some teeth-gritting intensity and, word-of-the-year, oh-so-tired-of-it, intentionality to stay focused. There is a book to reproof, a coloring book to finish, and never mind about doing laundry by hand because the washer quit (not complaining – it is 28 years old), waiting for the phone repairman (studio phone is broken – has anyone been trying to call??), a coloring book to begin, and a website to keep current during all these sales. Oh, and an art show to prepare for!

But I am not stressed (she says with a twitch). I am painting, and paintings don’t look good if done under undue stress.

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Yes, 2 of these are almost the same. I had a planning mishap. Not worried.

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The one on the upper left is almost finished. The others are only just begun. They are 8×8″ and 8×10″ and will take longer than the 6×6″.

Thank you, Captain Obvious.

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Just a little reminder to myself that I was in Israel. I’d show you a photo of me on a camel, but I looked fat.

THAT stresses me out!!

Painting Mineral King

Yesterday I took a chill-pill to recover from the emotional see-saw of selling, not selling, selling, not selling, sold, not sold, it must only be my friends and relatives who feel sorry for me, OH MY GOODNESS A STRANGER BOUGHT MY ART.

Don’t you just feel exhausted reading that last paragraphical sentence? (Anyone know a good editor??)

4 mineral king paintings

These paintings have been languishing, waiting and curing while I work on coloring books. This week I am returning to my oil paints, because customers await Mineral King paintings at the Silver City Store.

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Perilously Emotional See-Saw

For the past several summers, I have sold oil paintings of Mineral King scenes at the Silver City Store.

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This summer I took up 3 6×6″ and 3 8×10″. Each time I go to Mineral King, I stop by the store (we think of it as “The Store”) to see how the paintings are selling. I missed a weekend, and then stopped by again.

Oak Grove Bridge XVIII

THEY WERE ALL SOLD!

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The reason I stopped by was that I met some great folks who wanted to talk about Israel. Then the woman asked my last name (weird, I know, but someone introduced us by first name and mentioned I had been to Israel) and was all excited to meet me.

Hunh?

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Turns out she buys a painting by me each year when she comes to her Mineral King cabin.

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It is quite a thrill to meet a stranger who buys my art, because often I wonder if it is just my friends and relatives who feel sorry for me that buy my work.

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The business of art is a perilously emotional see-saw.

Please excuse me while I go find a chill-pill and then start painting again.

More Painting Mineral King

Feeling like a factory worker or a cog in a wheel, I mixed up some sky color oil paint so I could begin painting Mineral King. Five 6×6″ paintings, on the conveyer belt. (on the stereo, if you must know. Yes, I listen to a stereo that plays CDs. I drive a manual transmission, have a flip phone, and don’t own a microwave either.)

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Okay, let’s get some other colors going. This is Farewell Gap, but not the classic scene we discussed on Monday.

(That’s the royal “we”, because as far as I know, it was a monologue rather than a dialogue.)

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Oops. Forgot to photograph the in-between stages. These 2 paintings have just the first layer, and they’ll have to dry before I continue.

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The morning sun hits that window with good intensity, so I propped them there. Meanwhile, the Oak Grove Bridge languishes in the background.

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