Sawtooth Oil Painting in Stages

We last saw the Sawtooth oil painting looking quite rough. It has taken many hours, and the Fat Lady ain’t singing yet. (Close – she’s starting to warm up with a few scales.) And just in case you forgot, Sawtooth is the second most popular of the Mineral King oil painting subjects, tied with the Honeymoon Cabin. (Farewell Gap with the Crowley cabin is number one in popularity.)

The black thing is a shadow from the edge of the roof, because I worked on it outside in the sunshine.

When all those green grasses are dry enough, I will add wildflowers. Then I will probably revisit some of the upper parts, add a few more details, correct some more color.

Chill out, Fat Lady. Your time will come.

Painting Outside

By “painting outside”, I don’t mean painting plein air. I do mean that it was overcast and hard to see in the painting workshop, so I moved my stuff outside. It wasn’t cold, rainy or windy, so this was an easy solution. And White Chief needed a bit more drying time.

First, had to flip White Chief upside down to paint the bottom edge.

Next, I worked on Farewell Gap.

That’s sort of funny – photos, an oil painting and a mural, all of the same scene.

I haven’t done any singing over this one yet. Just not sure. . .

Flower Fix

A little poppy painting has been hanging around longer than any other. Why?

BECAUSE POPPIES SHOULDN’T HAVE SQUARE CORNERS!!

So, I fixed it.

A Mineral King scene of Farewell Gap in morning sunlight has been hanging around for too long. Why?BECAUSE IT DIDN’T HAVE ANY FLOWERS!

So, I added some.

See? Flowers fix stuff, and I think fixed flowers sell. More will be revealed in the fullness of time. . .

White Chief Finished

The White Chief oil painting might have been a teensy bit too hard for me, but I got-‘er-dun. Here is how it looked last time I showed you.

Now there is more detail on the bank above the pond and more detail on the lower left corner. The pond has some new color too. 

New day, new work on the painting: first thing in the morning is intense sunlight (and shadow from the window pane divider).I’ll work on the middle left. Here’s a close-up of the before:And here’s a close up of the after. The lighting has changed so it isn’t a completely fair comparison.

Now I am sort of going all over the lower half of the canvas, improving anything that I can see how to improve. The pond, lower right, and middle right all got some new layers of detail.

Just the lower right corner needed attention.

One more session, and the Fat Lady got to sing.

White Chief, oil on wrapped canvas, 18×24″, $650 (includes tax)

So, which task is harder: hiking to White Chief, or painting it?

Painting it, for sure!!

Sawtooth, Continued

The oil painting of Sawtooth was looking a bit rough when we last saw it.

It is only slightly less rough, because I chose to work on Farewell Gap more. It is tricky to fit in painting time around holidays, visitors from out of town, short daylight hours, colder temperatures, and year-end business to wrap up. But, I’ll keep layering, tightening up the detail, improving the color and accuracy.

Progress on One of Those Largish Paintings

This is the classic Mineral King view of Farewell Gap with the Crowley cabin, step by step. The bottom photo isn’t finished yet. What remains are the exacting details, the part that I enjoy the most about oil painting. I am drawing with my brush at that stage, and you may remember that I love to draw.

I don’t know how many hours. It would probably sicken me and horrify you. . . either you’d think, “Poor Schlub hardly earns anything for these paintings”, or you might think, “Dang! Easy money!”

Ignorance is bliss.

More Large Painting Situation

Having “successfully” begun a second largish painting, I grabbed another largish canvas (18×24″) to begin a third. This is also a Mineral King scene. Mineral King is what people expect from me.

I drew it on, stepped back, and said, “Nope. Too much sky”.With another color, I drew it again, stepped back, and said, “Yeppers, get the first layer on.” I did not actually vocalize these words, but the attitude was “HUBBA HUBBA! CHOP CHOP!! ANDALE ANDALE!!”My plan is to use the colors and light and water from the photo on the right but the trees from the photo on the left. This plan isn’t evident just yet, particularly in light of the fact that those photos are too reflective for you to see.

So, I threw down my brushes and went outside for a cigarette.

JUST KIDDING!! I’ve never smoked anything in my entire 58 years.

I actually went back to the White Chief painting. Don’t want to get fired and have to go job hunting. . .!

Large Painting Situation Continued

After working on the White Chief painting for awhile, the brushes and paint weren’t cooperating with me. I actually tossed a brush in the trash! It is so annoying to load a brush with paint and then have none come out when I place it on the canvas. I don’t have time for this baloney, so bye-bye bad brush.

Meanwhile, the amount of detail was making me feel as if I was walking on a treadmill, so I got another largish canvas out and began a second largish painting.  This is of Sawtooth, a landmark peak in Mineral King.

After this, I took a break and checked my email. A dear thoughtful friend had written to tell me how much she loves the poinsettia painting, and she asked the question, meant to be rhetorical, “Is there anything you can’t paint?” My response was, “Yeppers, 2 things, both sitting on my easels right now”.

My confidence in my painting ability is always a bit thin when there are no finished paintings around to reassure me that I can paint.

 

Large Painting Situation

What is a “large painting situation”?

In the life of your Central California artist, this means that all my large paintings are gone. They are now gracing my dentist’s office in Three Rivers. 

It was time to dive into the largish painting of White Chief that I began back in October, working to git-‘er-dun so I will be ready for more largish paintings. “Largish”, because the largest canvases I have on hand right now are 18×24″, which is HUGE after 8×10″, but not very large on someone’s wall.

Lots of nondescript detail in rock formations, rock piles, rocks, stones, pebbles, dirt, and shrubs, trees, grasses, groups of trees, shrubs, grasses, all interspersed with rocks, et cetera, will I ever finish this. . .

The coloring varies on these photos of the same painting because it looks different in the morning light than the afternoon light.

More Sawtooth Paintings Completed

Sawtooth Peak is the third most popular Mineral King subject that I oil paint. (First is the classic view of Farewell Gap with the Crowley cabin and second is the Honeymoon Cabin.)

This is a 6×6″ painting, donated to Exeter’s Courthouse Gallery for their annual fund raiser art auction.
This is a wedding gift, a 10×10″ oil painting for a former drawing student who shall remain nameless until after the wedding, although I may choose to protect the identity afterward too. It is good to be careful on the World Wide Web.

And remember the previous two Sawtooth paintings? This place is just filthy with Sawtooth; no wonder I go a little rogue from time to time and paint chickens.