One Sawtooth, one Honeymoon Cabin, one White Chief, three of the most popular scene of Farewell Gap with the Crowley cabin, and one of just Farewell Gap minus the Crowley cabin. 6×6″ is the most popular size.
Keep painting, Central California Artist Who Specializes in Mineral King.
I am back to Mineral King, figuratively speaking, not literally. There is finally some snow up there, and I’m happy to be here in the painting studio, painting summer scenes of Mineral King.
First, look who showed up! Piper and his brother arrived on a Friday, and Piper decided to get acquainted with us on Sunday. He spent most of Monday in hiding with his brother, and when I was finished painting, he came out.
Piper is the name he arrived with. We’ll probably keep it. (the name and the boy cat).
My initial goal was to begin 9 paintings, but then 2 more sold, so I increased it to 11. It feels daunting, so the plan is simply to begin each painting. Then when I paint next, I can choose whichever one rings my bell to focus on. Just need to get some momentum started. . .
Leaving Monarch, 8×10″Timber Gap, 8×10″
What is this?Oh! It is White Chief., 11×14″
Skies only on three 6×6″Another sky on a 6×18″, a popular sizeMountain ridge underneath the sky. The squared-off peak is White Chief.This 6×18″ of the Honeymoon Cabin feels very experimental. I’m making up the missing parts so that it fills the canvas. (The pink line is a strange computer action, courtesy of the Mac photo program. . .?)End of the painting session, part one.End of the painting session, part two.Inspector Piper wants to know what happened here today.
P.S. I typed this blog post with Piper on my lap. This is good, but where is his brother??
We got rain and snow and clear bright days.
Three Rivers, as it looks in my neighborhood.
I painted 3 poppies, thinking they would be quick and easy. Fall down laughing. I have had to reshape and reshape and relayer and wait and relayer yet again and on and on and on. . . this is just one of the three poppies that will not cooperate.
I started painting a bear. During our Bear Autumn of 2015, I got a few photos. This is probably the dude who tore battens off the side of my studio while seeking acorns.
After much calculation, I figured out how many more Mineral King paintings are needed, which subjects and which sizes. This is based on numbers sold in previous summers, popularity of subjects, and women’s intuition. Time will tell if I have chosen correctly. (I can always paint roosters over the tops of the ones that don’t sell.)I chose the sizes, paired the canvases with the photos, assigned inventory numbers, titled the pieces, attached the hanging hardware to the backs, and primed the canvases.
The web designer said there is progress being made. Sounds as if I have hours and hours of computer work ahead as I load up all my art (NOT paying someone else to do this!)
March First Saturday in Three Rivers at Anne Lang’s was better than both January and February combined. Some fine folks were waiting for me to arrive (Hi D & B & R & A!!), a friend bought my lunch (T/U, GE!!), and a friend stopped by for a long overdue visit (Hi CHO!). Of course, sales made the day particularly happy, and I did more coloring in the Heart of Ag coloring book, along with lots of explaining to people how to layer with a minimalist box of Black Wing Colors.
And thus we conclude a random roundup of the business of art, as defined by me. I wonder how other artists go about their business? On artists blogs, they all sound so professionally successful, discussing plein air outings (oh shut up, that is so hard and I don’t know how and I am a studio artist and if I am outside it will be to hike, walk, prune or pull weeds), or packaging up things to deliver to galleries (galleries, schmalleries – this is Tulare County), or showing off big deal sales to a local hospital or courthouse or university (Hunh? those places spend money on art, big money on originals?? Not in Tulare County), or fancy commissions (I paint wooden geese and or draw barns), or shows in nice places (I do them in Art Centers without plumbing, the local Remorial Building, or in people’s stores or backyards).
HaHa. I live in Tulare County and they don’t.
Oops. Sold two more Mineral King paintings recently so I may need to recalculate! Customers keep depleting my inventory. . . what’s an artist to do except keep painting??
As promised, here are some finished Mineral King oil paintings from my Phactory Phases. Factory Fases? Too much cuteness for you? I’m sorry. Must be the oil fumes.
They are all oil paintings on wrapped canvas, which means the sides are painted so they don’t need frames. The prices don’t include 8% sales tax; if you live outside of California, you don’t have to pay it, lucky you. If you want to order, you can go to the sales page and use shopping cart and Paypal or you can send me a check in the Real Mail, the US Postal Service, my favorite way to reach out and touch.
Mineral King Trail II, 8×10″, $125Mineral King Alpenglow, 6×18″, $150Honeymoon Cabin #30, 6×6, $60Mineral King Stream, 6×6″, $60Juniper, 6×6″, $60Sawtooth XXIII, 8×8″, $100
I love to blog, to post here on my web log, weblog, blog, online journal. Mostly I just run on about the business of art, but sometimes I show you things for sale. I don’t wear plaid pants, assault people, lie or talk fast; instead, I just provide opportunities for my handful of readers to buy the things I make.
It is my hope that you enjoy my blog, and find enough opportunities to buy my work without feeling sold to.
This is a post about 4 cute little oil paintings of various Mineral King scenes on boards, each one sitting on its own tiny wooden easel. (Well, yes, they are for sale – thank you for asking!)
White Chief – SOLDSawtoothVandeverLittle Farewell Gap – SOLD
The rectangular paintings are 4×6″ and are $50; the squares are 4×4″ and are $40.
Such a deal! They are available on this page. (Sort by price, lowest to highest, and they will appear on the first page.)
Now there’s a creative blog post title for you. . . just the facts, ma’am.
I’m almost finished with this phase. Paintings need to dry, get signed, scanned, and varnished. Have a look at the various stages.
Cute little 4×6″ oil painting on board, on its very own easel.2 scenes waiting for wildflowers, and a bridge awaiting some painterly confidence.Drying from 2 sky do-overs.Say buh-bye to the unwanted pomegranate.
Maybe next week I will have a host of completed, signed and scanned Mineral King oil paintings to show you.
This year I have set the goal of finishing all the Mineral King oil paintings well before the season begins. The Silver City Store has been selling my oil paintings since 2010, and it is good for them, for me, and for the customers. The past 8 years have provided a good idea of what sells and in what sizes and quantities. Why not look at this information and make a plan?
Phase I was finishing a large quantity of paintings in the month of January, some that were begun in December. The total was something crazy huge, like 2 dozen or so. I hadn’t planned on buying 4×6″ canvases or painting on 4 little boards that used to contain things like tomatoes, so the number went up. All this production forced me to figure out how to use my painting hours more efficiently, and in February, I am continuing with this plan.
(Do you need a nap yet? A cup of espresso?)
Phase II is filling in the gaps – do I have the right quantities of the best subjects in the most popular sizes? Nope, not yet. Here is how beginning another 8 paintings looks. It’s not that pretty, but it is not as gross as making sausage, I guess, although I’ve never witnessed that operation.
Wiring and writing titles and inventory numbers.Buh-bye, sweet little pomegranate that no one wants.Skies come second, after I have “toned” the canvas, which is Artspeak for smearing the gunk from the bottom of the turpentine jar all over it and letting it dry.
There are about 6 more subjects I want to paint. These are also Mineral King, but they involve new scenes.
If this seems a little repetitious to you, well, it is. It is a little repetitious to me to. That’s the thing about doing work for a seasonal business – it is repetitious because there are new customers every week, and they haven’t seen my paintings before. Or they saw them last year and want to add to the collection. Or, their friends saw their painting and wanted one too.
That’s me, talking to myself. Keep painting, Central California artist, keep painting!
I messed up and ordered 4×6″ canvases instead of 6×6″. This means I have some adjusting to do and some decisions ot make.
The first step is to see how it is to paint on this size and shape.
The standard/classic Mineral King view of the Crowley family cabin with Farewell Gap in the background.Vandever is the name of the peak that forms the right side of Farewell Gap.The Honeymoon Cabin is tied with Sawtooth for the number 2 position in subject popularity.The 6×18″ painting of Sawtooth sold before I put it on my web page for sale. Therefore, I am painting another 6×18″ of Farewell Gap with alpenglow.Homer’s Nose is an interesting granite formation visible from the Yokohl curve, between Exeter and Lemon Cove. I love the view, but apparently I am the only one, so it is becoming Eagle Lake. Time will tell if there are more fans of Eagle Lake than of Homer’s Nose.If you look very quickly at this rough version, you might get the idea of a lake forming.This 8×10″ will contain a tremendous amount of detail. The challenge will be to emphasize the trail, keeping it from disappearing in all the textures.
This is an 8×8″ of my tied-in-second-place Mineral King oil painting subject, the Honeymoon Cabin. It was part of the resort; then Disney bought up parts of the resort in hopes of building a ski area. That didn’t happen, and now this little cabin is a museum of artifacts and photos of Mineral King.
You saw it yesterday hanging on the wall drying. In my normal manner, I got things a little mixed up, posted yesterday as #4 and had today as #3. Then I switched things a few times and finally corrected it, but here is the Honeymoon Cabin at an earlier stage. I might be a bit dizzy from the oil fumes, or maybe the turp. Could be the propane, but I doubt it; the oil painting workshop room is extremely well ventilated (read “drafty”).
Oil paintings don’t dry very quickly; that is both the good thing about oil paint and the bad thing. Trail Guy set up this handy little shelf in front of the heater in the painting workshop/studio, and that will help things move along.
Will these Mineral King oil paintings ever be finished? Yes. Then I’ll have to decide what to paint next. I’ll still need more Mineral King for my inventory (I’m painting ahead for the first time ever – finally have learned that summer starts on Memorial Day weekend and this year I will NOT be surprised.)
Some of these look like the same paintings as in other photos because they are the same paintings. I move them all around depending on their state of dryness. Some of them just look the same because the subjects are the same, only with differing amounts of snow or water or with different lighting.
The bridge is still a little bit too hard for me. It will have to wait until I am out of my Mineral King Oil Painting Factory Mode.
Aren’t these little 4×4″ boards sweet? I can’t sign my name on that size, so only put J.B. They will each sit on a tiny wooden easel, and will be $30 each. A man from Marin Co. told me he saw 2×2″ paintings sitting on tiny easels at $120 each.