Lisa’s Lake House, a Commissioned Oil Painting

Lisa’s family has a lake house in Minnesota, somewhere northern and treed and lakey and gorgeous. She asked me to paint it.

After briefly considering a request to be flown there to see it with my own eyes, I came to my senses and said “Yes, of course I can work from your photos.”

(I have yet to find a customer who will fly me to her lake house in Michigan or Minnesota, family estate in South Africa or Brazil, beach house on Cape Cod or the Outer Banks, log home in Montana or Colorado, et cetera. What am I doing wrong here??)

Lisa wrote me some very thorough notes. We emailed often when she was at the lake house. She took photos. We spoke on the phone. We wrote a few more emails.

Then, I did a sketch for her.

We emailed a bit more. She mailed some more photos. I took copious notes.

Then, I primed a canvas in the orange that was already on my palette. Orange is in the middle of the dark to light spectrum, so it is rumored to be a good priming color.

I emailed her a photo similar to this and warned her not to be scared by the sloppiness. I’ve heard that watching a painting happen is similar to watching sausage being made. Couldn’t prove it by me; however, I do know that my paintings begin their lives looking a little loosey-goosey, sloppy-woppy, ugly-bugly.

Put on your rose-colored glasses, willya for Pete’s Sake?

(Who is Pete?)

Responding to the Voices in My Head

That’s a scary title, is it not?

“Sisters” took a long time to paint. The customer hired me because she liked my precision, and she gave me all the time necessary to complete this to both of our satisfaction.

When I paint, I listen to lots of things. There is music, podcasts, talk radio, books on tape, and voices in my head, including my own.

An aside: Someone said we should talk to ourselves the way we talk to our best friends. You know how sometimes you say things to yourself like, “How could you be so dumb?” (Maybe you don’t – please just play along for a moment. . .) If your best friend did something dumb, you’d be more likely to say, “That’s okay – stuff happens and we can learn from it.” Or, “Don’t worry about it – it is a small thing that can be fixed.”

This is what I have chosen to believe and follow:

  1. I am a studio painter who works from photos.
  2. Good paintings take a long time to finish.
  3. Precision and accuracy are attractive.
  4. I love detail.

Here are what the voices in my head have been saying, and here are my new responses in light of my recent decision (see the September 12 post):

VOICE #1 – “You are drawing with your paintbrush”.

Me – “So what?”

VOICE #2 – “If you paint standing up, you’ll paint with more energy.”

Me – “If my foot hurts, I will paint with more pain.”

VOICE #3 – “You need to listen to cool music while you paint, jazz or classical”.

Me – “This is a great time to listen to talk radio, podcasts about the business of art, interviews with artists and authors and inspirational speakers, sermons I’ve missed from my pastor, and audible books.”

VOICE#4 – “Real artists don’t paint from photos.”

Me – “Okay, I’ll be a fake artist.”

VOICE #5 – “You need to step back from your painting to see how it reads from a distance.”

My – “Thanks for the reminder. I am so into the detail that I forgot!”

Loves Cotton, Loves To Knit, oil on wrapped canvas, 8×8″, $100

 

The Kaweah Post Office Goes to New Jersey

Remember I was struggling with finding the oomph to paint this? Once I got to the finishing details, I wanted to paint and paint and paint some more. I finally stopped so the nice lady with my favorite name in New Jersey could get her painting.


Elizabeth looked through my photos and chose this view for her commissioned oil painting. It shows the fence and gate behind the Kaweah Post Office up the North Fork of the Kaweah River in Three Rivers. (sorry for being so wordy – Mr. Google likes that.)

The California Artist Finds Her Big Girl Pants

I got serious about working on this commissioned oil painting of the Kaweah Post Office in Three Rivers for a nice (and hopefully patient) lady from New Jersey.

Kaweah Post Office oil painting in progress

Now, this is more like it. layers, details, contrast, texture. It needs to dry so I can paint the words on the signs – KAWEAH, POST OFFICE. The year established and the zip code are too small. The other words are sort of too small too, but I’ve done it before and I can do it again. I’ll probably end up tightening up other parts of the painting too. That’s usually how it goes.

So, I’ll just lift it off the easel, paint the edges, hang it up by the window, and then wipe the paint off my forearms. I always get paint on my forearms when I paint the edges of the canvas.

Kaweah Post Office oil painting hanging upside down by the windows

OH FOR CRYING OUT LOUD! Would you just look at that!?!!

The wire is on the wrong side. The title on the back will be upside down too. I’ve only done this about 800 times so far.

I might need some time off soon.

Kaweah Post Office and Big Girl Pants

Dabbling, thinking it might be good to finish this before it gets hot again when I’d rather be in the drawing studio with its A/C unit instead of in the painting studio with its swamp cooler. Dabbling, deciding, doodling. . .

Has anything even changed from yesterday?

Get going – drink some coffee or eat some chocolate!

Here’s the problem: I’ve been concentrating so hard and long on the upcoming book, The Cabins of Wilsonia, just drawing like a pencil machine, that I’ve gotten nervous about my painting abilities.

This is a commission, I’ve been paid, and the customer is waiting. Put on your big girl pants and get busy.

Wow. That created a sense of urgency. Stay tuned. . . more will be revealed.

 

Painting the Kaweah Post Office Again

Commissions are good! They mean I get to paint something that has a definite buyer. They are the opposite of speculation painting.

Contractors build “spec houses”. It means they build a house like the Field of Dreams philosophy, in anticipation of a buyer. (“Spec” is short for speculation, not specifications.)

Very few artists admit to “spec paintings”. However, isn’t that what we are doing when we paint what we want and then schlep it around to various web sites, galleries, shows and shops?

This new painting of the Kaweah Post Office will only be schlepped to the post office to be mailed to a really nice lady from New Jersey.

Kaweah Post Office in progress

An oil painting begins its life in a rough manner.

When folks in Tulare County, particularly Three Rivers, have guests, we love to show them our sweet little Post Office up North Fork Drive. It is possibly the smallest operating P.O. in the United States, but that factoid depends on whom is being asked.

Anyhoo, we are proud of our cool little Post Office, even though it is technically in Kaweah and not in Three Rivers.

And thank you for being polite about how sloppy my painting looks when it is young.

More about lavender

My amazing friend Barbara grows lavender. She opens her lavender gardens (or is it a farm?) to the public each June when the lavender is at its peak. People can harvest bunches of lavender.

English lavender in bloom

The dates of this event are a little squishy, because the bloom is dependent on the weather.

This year, it is possibly Saturday June 15. This happens here in Three Rivers, and you just sort of have to pay attention to the paper and to people who might know.

Barbara and I like to collaborate on art projects. She had me paint lavenders on saltillo tiles for her garden and to sell during the Hidden Gardens Tour. These sold well, so I have painted more for her Lavender Harvest Event.

In addition, I have finished 2 new paintings based on her beautiful lavender. The hope was to have them printed into blank books to be useful as journals. More will be revealed in the fullness of time. . .

Livingston Lavender, oil painting, 8×10″, private collection

I know I said 2 paintings. Guess you’ll have to come back tomorrow.

Trading skills

Trail Guy has used the same Cabela’s commuter mug for more years than I can remember while he was Road Guy. A week before he retired, it fell inside one of his big yellow machines. The handle broke. ONE WEEK before he retired! (Reminded me of the old song called “My Grandfather’s Clock”, but in that story, the clock stopped when the old man died. No, I am NOT calling Trail Guy an old man! Stop causing trouble.)

A few weeks ago, our friend Jonah stopped by the house. He wanted to show me some really interesting pieces he carved from firewood, and he raided our woodpile for more. Suddenly, I had a brilliant idea!

“Hey Jonah, can you carve a new handle for Trail Guy’s mug? I’ll paint something for you in exchange!”

“Sure, I can do that and I’d love a painting – surprise me with something!”

What a guy – look at this handle out of manzanita wood, hand carved by the very gifted and hard working Jonah.

Trail Guy said Jonah runs cattle in the area of the Oak Grove Bridge, which happens to be one of my favorite subjects to paint and draw. The day after Jonah delivered the mug, I began this little painting for him. He doesn’t read my blog, so it will be a surprise. (Don’t tell him if you see him, ‘k?)

Loosiosity, Revisited

“Loosiosity” is a word coined by my customer/student/friend Sara. Because it is one of those self-defining words, I’m guessing that you can figure it out.

fruit bowl oil painting
This painting style is the polar opposite of “loosiosity”.

Sara commissioned me to paint a scene for her based on a piece of art she had seen and loved. I had a little photo of that art, but didn’t want to copy it. I changed several things, and painted it in my style, but following Sara’s request for loosiosity.

I THOUGHT I was painting loosely because it was definitely looser than my normal style.

After living with the piece for a few months, Sara told me it wasn’t as she had envisioned. She is very polite, and we are quite honest and straight-forward with one another. It is the sort of relationship I have with all my drawing students.

 

The way this California artist conducts business is until a commissioning customer is happy with the work, I don’t consider the piece to be finished.

 

Sara brought it to my studio, and together with our friend Lou, we reworked it. This time we studied the tiny photo and evaluated with differences. We discussed ways to mess it up, add color, soften edges, add texture, and in general, match the piece she had first seen.

Are you wondering why she didn’t just buy that piece she loved? (Great question, glad you asked. )  Because it was SOLD to someone else, of course!

Here is the before, when I originally thought I was finished:

Here it is after Sara and I and our friend Lou finished reworking it:

 WOW! The differences barely show in these photos! 

We messed up the horizon line, added brighter colors, changed textures and added longer lines (“sticks”?).

Lighting is different everywhere, and IT MATTERS. While we were working in the painting studio on an overcast day, it was tricky to see the correct colors. I finally opened up the doors so we could see it in daylight. Now, she will see it in her home.

I’m curious about what you, The Blog Reader, thinks about all this! I haven’t asked for comments for awhile, but I’d really love to hear your opinions about the process, my way of doing commissioned work, the before and after versions of “Sara’s Redtails”.