Tough Decision, Part Two

There are many seasoned artists who freely share their experience with other artists. One of the nuggets I’ve gleaned through the years is “Get rid of your junk”. There is no reason to keep things around that do not sell or do not represent your best work.

The Cabins of Mineral King represented my best work in 1998. I draw better now, which is good; I would better have improved over the last 20 years or that would be a sorry situation. (That was an awkward sentence – anyone know a good editor?)

Still, the unsold drawings haunt me, take up space and just need to go away, either through a sale or through a shredder.

Before they go into the shredder, here is a chance for you to own an original pencil drawing for a peanut butter sandwich, as my dad used to say. I will consider offers, as long as they are not insulting.

One month from today, October 7, is the deadline on this batch of drawings.

4-1/2 x 5″, $20, SOLD
6-1/2 x 4″, $25, SOLD
7 x 10″, $90
4-1/2 x 5″, $25, SOLD
4-1/2 x 6-1/2″, $35, SOLD
5 x 7″, $40. SOLD

Tough Decision, Part One

As a full time professional artist since 1993, I have accumulated a pile of work. It is overwhelming at times for several reasons.

  1. If I am looking for something in particular, I have to sift through many other things.
  2. If the flat file drawers get too crowded, some of the paper folds, squishes, migrates to the back of a drawer, or otherwise gets wrecked. I hate it when that happens to an original drawing!
  3. Unsold things haunt and taunt me. They say, “Loser! Poser! Fake artist! No one wants your work!” They are mean, and eventually those mean words work their way into my psyche. (What’s a psyche??)

Therefore, I have made a decision. Unsold and unframed original drawings from The Cabins of Mineral King (published in 1998) have been here long enough. If a cabin owner doesn’t value original art of his cabin, why should I? I have my own preferences and favorites already jamming up my flat files (and they treat me better than those other unsolds).

Before these go into the shredder, I will show them to you and give them one last chance. I might even send out a newsletter to those who might open an email but don’t read the blog. I will tell you the approximate size and the price, and consider all offers (unless they are insulting. The drawings are already insulting me enough, and your Central California artist can only take so much abuse.)

Let’s begin, shall we? If these drawings aren’t sold by October 6, one month away, then say “Hasta la vista, baby”.

 

8-1/2 x 6″, $50, SOLD
8-1/2 x 6-1/2, $55, SOLD
5 x 6-1/2″, $40 SALE PENDING
9 x 12″, $100, SOLD
8 x 11″ – $95, SOLD
7-1/2 x 9-1/2″, $80 SALE PENDING
10 x 11″, $125 SALE PENDING
9 x 11″, $120, SOLD
8 x 12″, $100, SOLD

Drawing Architecture in Pencil

Drawing architecture in pencil is my favorite thing. Since this drawing is gone, I get to redraw it. Second chances, opportunities to improve, do-overs–all good things.

This is how it looks after about three short sessions with my pencils. Cabin closing, oil painting, teaching drawing lessons, taking inventory and planning for shows, editing, book design, blogging, these things all cut into time to do my favorite thing. But, pencil drawings don’t take up a lot of room, there is no palette to secure or brushes to clean. (More reasons why pencil drawing is my favorite thing.)

Would you believe these roofs all belong to the same structure? This cabin in Wilsonia contains some of the most interesting architectural oddities and details of any of the cabins. I hope to see it up close and personal next summer!

Do-Over

I get another chance at a do-over!

A customer asked to buy three of the original pencil drawings from The Cabins of Wilsonia. One of them is gone, so I offered to redraw it for him. He agreed.

The one he wants redrawn isn’t one I felt very proud of. Maybe I got sloppy in the midst of 272 drawings (can’t remember the actual number). Maybe I draw better now. Maybe it didn’t reproduce as well as I had hoped. Maybe I did a poor job prepping it for printing. Maybe my standards have been raised or tastes have changed.

Maybe it is all in my head. 

Here it is:

I can’t wait to redo this! (Have I told you how much I love to draw, especially architectural scenes?)

Cabin Drawing Flag Adjustment

A flag seems like an appropriate topic for today.

The customers were sort of happy with their Mineral King cabin drawing, but not overjoyed. “Sort of happy” is not good enough. After a bit of conversation, they said the flag was too bright and drew too much attention.

My dad liked to quote a Latin phrase De gustibus non est disbutandem, which translates “it is useless to argue over matters of taste”.

I completely understand. A drawing is never finished until the customer is completely happy. While they were present in the studio, I redid the flag. Now they are happy!

Before:

After:

Because I did the flag in bright colored pencils before discussing it with them, I used Faber Castell’s Polychromos, an oil-based colored pencil that erases. Although I am very comfortable with the colors of Prismacolor and they are sitting very conveniently on my drawing table, they are wax-based colored pencils that don’t erase, so I resisted the urge to use them.

Phew.

 

Cabin Drawing in Pencil

My business and website is called Cabin Art or Cabinart. This is because when I began, I lived in a cabin and I drew cabins.

I still live in a cabin (part time) and still draw them.

Here is the latest commissioned pencil drawing of a Mineral King cabin:

After seeing the Hume Lake cabin drawing from 1995 and reworking it, you can bet your boots that I was hyper-careful while working on this drawing. The photos were mine from 2 different photography sessions, there was much conversation about what should and shouldn’t appear, I used multiple photos to be certain of what I was seeing, and I went over the entire drawing with a magnifying glass at the end. In another 22 years, I don’t expect I will be able to repair or improve this one.

Proof That I Draw Better Now

It just occurred to me that perhaps you might disagree with my evaluation of  what “drawing better” actually looks like.

Bummer. Having a blog often means taking a risk, so here goes.

This is the little Hume Lake cabin as I drew it from the customer’s photos in 1995. (I didn’t draw the bug spot, or whatever that is.)

Here it is after reworking it, using photos I took earlier this month.

I feel relieved to have gotten a second chance to make this drawing the best I know how.

I Draw Better Now

In 1995, I drew a Hume Lake cabin from the customer’s photos.

Last week I had the pleasure of staying in that cabin and seeing it for the first time. The customer’s daughter and I grew up together and have recently reconnected.

She brought the drawing to Hume Lake, and I was dismayed to see it had a bug spot on it. It also was missing the flag, and now I put flags in color into my pencil drawings whenever possible. Besides, I draw better now.

Daughter allowed me to remove it from the frame and bring it home with me. The biggest thing was to discover if the drawing had been spray-fixed, which would not allow me to do any erasing. I can’t put color over pencil and have it look like anything good – it needs to have blank paper beneath the color. 

YEA! I can repair, replace, add, and improve it, because it isn’t spray-fixed!! Stay tuned – I hope to have some studio time next week to do the work of making this drawing something to be proud of.

P.S. Tomorrow’s post will be of a funny walk at Hume Lake.

And More Designing a Book

I offered to design a book for an author friend. Let’s call her “Louise”, because that is her name.

Louise discussed it with the 3 people who commissioned her to write their story, and they gratefully accepted my offer.

I read up on book design, learning most of what I needed from The Book Designer‘s website. I had paid him for consultation to be sure I wasn’t messing up The Cabins of Wilsonia. He charged more for one hour than I often earn in a week, but he was worth every dollar. He is a fount of helpful information.

I bought a template from him to use with InDesign, thinking this would be simple and easy and fast and how awesome to just slam this thing out with all my previous experience and knowledge.

Fall down laughing. . .

Look at some of the work:

  1. Learn how to change the template so the chapter titles appear as running heads instead of the author’s name by emailing the Book Designer for help, several times because, well, because it is complicated.
  2. Change the master template page things to have chapter titles in the space where Louise’s name would have appeared.
  3. Find that in normal books, the chapter titles are on the right page, not the left. If you have the author’s name on every spread, the title goes on the right. If you have the chapter titles on each spread, the title goes on the left.
  4. Change the master template page things again to accommodate this new information.
  5. Realize I have the power to eliminate many of the hyphenated words at the end of lines, and go through all 300 pages to fix as many as possible.
  6. See that changing the hyphenation caused some of the photos to land in the middle of paragraphs, so go back through the 300 pages to scoot them.
  7. Louise and I decide that a plain divider line looked too plain, so design a fancier, but not too fancy divider line.
  8. Replace the divider line with the pretty one.
  9. Go back through the 300 pages and see that I missed some.
  10. Find that there is a spell check on InDesign and decide it can’t hurt to run it in spite of the facts that I used spellcheck on Word,  Louise and I have proofed it many many times, as have the 3 people
  11. Find a few typos.

Fall down laughing with exhaustion. . .

This pencil drawing of a Wilsonia cabin invites me to sit on the porch and contemplate a life without InDesign.
This pencil drawing of a Wilsonia cabin invites me to sit on the porch and contemplate a life without InDesign.

Designing a Book

What is book design? That’s a question I asked back in 1998 when Jane Coughran and I published The Cabins of Mineral King.

The answer was too complex and computerish for me to comprehend. We paid someone to prepare our book for printing, and I had no understanding whatsoever of what was involved.

When I published The Cabins of Wilsonia, I figured I could do that stuff myself, being the owner of a Macbook and having written this blog for 5 years (at that time).

Holy guacamole. I had no pickin’ idea. It involved buying InDesign and learning to use it. This necessitated 2 trips to Seattle for training and many desperate calls for help. It also involved a huge number of uncharitable and unChristian thoughts towards Adobe, the makers of InDesign and Photoshop Elements, the latter of which is supposed to be simple to use.

Fall down laughing. . .

In spite of the difficulties, I got ‘er dun.

This gave me a false sense of confidence in believing I could do the book design for someone else, 2 years of forgetting later.

Oh my. This calls for a calming picture, and I’ll have to continue this little saga tomorrow.

Willow 5
Pencil drawing of cabin porch from The Cabins of Wilsonia. This is a good place to sit and contemplate the peacefulness of no computers.