Productive and Pathetic in Wilsonia

I spent a very productive week at a cabin in Wilsonia, a private community within Kings Canyon National Park. The idea was to talk to lots of people, to learn and write down their stories, impressions, memories and thoughts on cabin life there. I was fairly certain that I had all the photos I needed and that the design of the book, The Cabins of Wilsonia, was almost cast in stone.

a cabin in wilsonia
Not the cabin where I stayed, but a very visually appealing cabin in Wilsonia that I keep photographing over and over and over. . .

But. . .

. . . While there, I finally had the opportunity to work uninterrupted on the book. (When I’m in my own studio, there is so much painting to do that the non-urgent business of the book collects dust. I want to work on the book, I really really like working on the book, I wish I could just work on the book every day! Okay, I think you believe me now.)

Redesign: Each day I walked through Wilsonia with my camera and continued to photograph things for a second and third time. OF COURSE I kept finding new things to photograph.This meant I needed to re-evalutate which were the best choices for each street, and continually redesign each section.

Rebalance: I began to realize that there was an imbalance. How many pages have I allotted to each street? (called “Lanes” in Wilsonian) How many cabins are there on each Lane? Had I given the most populated streets the greatest number of pages? This took quite awhile to discern and then to redesign.

Quote Gathering: In addition to the photography and redesign, there were many conversations with people, which was the point of the visit. It is interesting that folks assume I am compiling the history of Wilsonia. Their first response to knowing that I’d like to include quotes from the cabin community is to give me a list of previous owners of their cabins!

This is most likely due to my own inept interviewing and inadequate explanations. I’m an artist, not O’Reilly. (It probably isn’t a good idea to bark at them, “This is a no-spin zone!”) I’m now realizing that gathering quotes will take a long time, lots of conversations, lots of getting to know people gradually. When Jane Coughran and I did The Cabins of Mineral King in 1998, we simply sent forms in the mail requesting stories, and magically, they got filled out and returned. Doesn’t work that way any more.

Eating an elephant: It is time to face the fact that this book is going to take at least 2 more years to get to publication.

That’s not the pathetic part. I’ll tell you that part tomorrow.

More tomorrow about my work week in Wilsonia. . . 

 

 

How I Write a Blog Post

Usually I begin a blog post with a relevant photo. There must be a reason it seems relevant, so I ponder why you might want to see it.

pencil drawing of Wilsonia cabin by jana Botkin
Attention to detail not only makes better blog posts, it makes for good pencil drawings. This is one of the cabins of Wilsonia from my upcoming book “The Cabins of Wilsonia”.

The thoughts begin flowing, and boy of boy, I LOVE to type because the words can keep up with my thoughts. I type fast, I make mistakes, but they are easily corrected. (Got fired from a typing job once – still smarts.)

After the thoughts are recorded, I reread them for flow and understanding. If anything makes me hesitate or wonder what I meant, or if it could mean two things, then it gets changed.

Next, I remove unnecessary words, such as beginning a sentence with “So”, which is a current speaking trend that I hope to avoid. (Has anyone else noticed this?) I also remove sentences after asking myself, “Does anyone care?” (if the answer is NO!)

Sometimes I think about SEO. That means Search Engine Optimization, which means using certain words in certain ways so that Mr. Google can find me (for certain).

Then I check for typographical and grammatical errors. Typos make me twitch. They jump out of other people’s blogs, out of menus, library books, the newspaper, signs, and anything with the written word. Websites with typos do not look trustworthy . . . nosirree, if that company can’t even make their website correct, then they won’t care about my order.

Finally, I do all the technical stuff like putting in key words and tags (geeky stuff), filling in the SEO all-in-one-pack (more geeky stuff)  checking categories, and finally, I schedule the post.

Now that you know my routine, you can join me in wondering “Does anyone care about this blog post?” 

 

A California Artist Goes to Washington, part two

In Washington, this California artist took her first yoga class. Being a get-‘er-dun sort of chick, I think we could have skipped the nap at the end, and possibly some of the soothing talk about erasing our minds at the beginning. (And how in the world is one supposed to “breathe with your spine”? I like using my nose to breathe, but thanks for the {useless} suggestion anyway.) On one of the poses I looked over at Carol and we were both shaking with laughter. I mouthed to her, “I can’t believe we are doing this in public!” Had to stop looking at each other to continue the moves.

I also learned how to use something on my computer called Photobooth. On Carol’s computer actually. I haven’t looked for it on mine because it causes me to laugh so much that I can’t type.

That’s some seriously bad Ferry-hair. (bit of a problem with my face too – try to be polite.)

And, of course I worked on the book The Cabins of Wilsonia, very diligent  in learning to use Adobe InDesign. (Oh be quiet!!)

Eight Reasons this California Artist Chose Pencil

My last post ended with this question: if I am so taken with color, a “color junkie”, then why did I choose graphite as my medium?

Simple – I love to draw. Oh come on, there must be more to it than that! Okay, yes there is.

1. It is easy to find pencil and paper and draw any time. The back of the bulletin in church, a piece of paper from your printer, an envelope from the trash. . .

2. Pencil drawing doesn’t make a mess. No paint brushes to wash, palettes to scrape, clothing to change.

3. Pencil drawing sets up and gets put away easily. How many boring office jobs did I have where I finished my work, and then pulled a drawing out from under my typewriter to fill up the rest of the day with? Lost count!

4. Pencil drawing isn’t very expensive to reproduce as prints or cards. This makes them affordable for you! (I am sorry my shopping cart isn’t working. You may email me via the contact page if you’d like to purchase something.)

5. Pencil used to be a little complicated to reproduce well, so people couldn’t reproduce my work without my help and permission.

6. Pencil erases.

7. Pencil is easy to frame. There aren’t very many mat colors or frame styles to use that won’t just overwhelm it, so it keeps your choices down.

8. I liked to draw so I drew a lot so I got better so I drew more because it was easy and fun because I had practiced so much. Or as my now retired husband likes to say, “Success breeds success”.

Drawing for upcoming book, The Cabins of Wilsonia

Next post will cover the benefits of working in pencil for so many years.

Product or Process

In knitting, there are regular discussions about whether one is a product knitter or a process knitter. This is in reference to one’s motivation – is it the journey that you enjoy, or is it the destination?

When it comes to drawing, I am both a process and a product artist. The pencil feels like an extension of my hand which is an extension of my eye and my brain.This makes it immensely satisfying to build a drawing.

In addition to enjoying the journey, it is always a thrill to see the finished piece. Getting to my destination never loses its buzz. My latest drawing is usually my favorite.

(Painting is a completely different story, and in the interest of not going into a navel-gazing session here on the blog, we’ll just stick to drawing for now. You’re welcome.)

Seems to me that in order to finish a project, you have to want the product AND enjoy the process. One without the other equals more unfinished stuff, or UFOs, as knitters call them. (Un Finished Objects)

Finished pencil drawing for the upcoming book The Cabins of Wilsonia

 

3 Little Known Factors that Could Affect Your Ability to Draw

Pencil drawing from the upcoming book The Cabins of Wilsonia

I have a theory about people who draw. It is based on teaching people how to draw since 1994. In addition to teaching people how to draw, I draw myself. (Oh? You didn’t know that about me?) I have also spoken to many people who draw for fun and those who draw for profit.

If you have the following three qualities, I believe you might be able to really draw well:

  1. Perfectionistic tendencies
  2. Nearsightedness
  3. Lefthandedness

None of these things are necessary, but each one has its strength.

Perfectionism

Perfectionists seem to do well with the finicky detailed nature of pencil drawing. Detail is hugely important in drawing well. So are values (the lights and darks), composition, hard edges and soft edges in the appropriate places. And proportion – oh my goodness – gotta get those shapes and sizes right. Getting the idea yet? There are many things that have to be Just Right in drawing, because there is no color to distract.

I am not a perfectionist and have to work hard to remember to stop the “get-er’dun” tendencies. It is fun to finish things. It isn’t fun to think I am finished and have to return to fix something.

Nearsightedness

If you are nearsighted, you are more tuned in to detail. Sometimes it is all a myopic person can see! I think of it as an asset for a pencil artist. (Glass is always half full!)

Up until a few years ago (ahem) I was able to put my nose a few inches from a pair of ants playing checkers and know who was winning. (What? You’ve never seen ants play checkers?) I might still be able to do this if I pop out my contact lenses. Now, with the contacts, I have to wear old-people-sit-on-your-nose magnifiers. Sometimes they aren’t strong enough. And have you noticed that all the lights are dimmer than they used to be?

Left-handedness

There is a connection between the left hand and the right side of the brain. (There is a book about it called Drawing on the Right Side of the Brain, by Betty Edwards.) The right side understands the non-verbal things in life such as proportions, perspective, and values. The theory is that left handed folks are right-brain dominant and thus more naturally equipped for tasks such as drawing.

I am right handed. Oh-oh, I can hear you wondering how I could possibly be an artist with 2 strikes against me. Here is the answer: I am left-eyed. A dominant left-eye is almost as good as a dominant left hand. (Phew, had you worried there, didn’t I?)

If you don’t have a single one of these three qualities but you want to learn how to draw, I can still teach you how.

The only people who haven’t learned to draw from me are the ones who quit too soon!

Peculiar Sight

One recent afternoon my husband called me into the living room to see something. I could tell from the sound of his voice that I should hurry and bring a camera. (25 years of marriage teach all sorts of non-verbal communication.)

Outside our living room we have a ladder leading up to the roof. I don’t know why. Michael wants it there, so there it is. He is a great husband – bit of a neatnik, loves to putter around the property, and an awesome BBQer, so if he wants a ladder outside the living room window, he may have his ladder there. (Why am I digressing into his good qualities? It is at the suggestion of my friend Jennifer in her blog.)

The raccoons like the ladder. The cats do too. This is Kaweah and Perkins. If Zeke was there too, all three might not have fit into the frame (or the ladder might have collapsed).

Isn’t it odd what amuses a California artist? Not much going on in Three Rivers (outside of planning for the studio tour or working on The Cabins of Wilsonia)

“Get a life”, I hear some of you thinking. (Yes, occasionally I can hear your thoughts.) Guess what? I have a life and I love it!

Self-Interviewing again

pencil drawing of Wilsonia cabin for the book The Cabins of Wilsonia

Hey California Artist, are you still working on that book, that cabin book of drawings?

So glad you asked that question! Yes I am, and the completed drawings are stacking up.

How many have you finished now?

48 at last count.

How many are left?

Umm, I’m not all that good at math and I’ve added a few to the original plan. (Translation: Can’t deal with reality)

Did you learn to use Adobe Indesign yet?

I practiced with the trial version until I had a long list of questions. My friend Carol will help me work out the answers when I visit her in April. (Right, Carol??)

What’s the name of the book again?

Great question! It will be called The Cabins of Wilsonia. Don’t you think that is a clever title?

What typestyles will you use in your design?

Do you really think anyone gives a rodent’s hiney about that?

Why do so many interviewees answer questions with “I’m glad you asked” or “great question”?

Monkey hear, monkey say.

Seems that the quality of this interview is deteriorating. Would you like to get back to your pencils now?

Great question – I’m glad you asked that one!

Book Report

This is an update on the The Cabins of Wilsonia, not a report of books I’m reading.

Sometimes I put 2 drawings on a single sheet of paper because it is just that much less to handle. (read “lose”) And I am frugal with paper. (read “lots of things”)

This is my Wilsonia stack of stuff. There is a pile of finished drawings and paper (Strathmore 400 Series Bristol Smooth), The Cabins of Mineral King for reference, the box of selected photos arranged alphabetically by street, the rolled up map I used while learning the layout of Wilsonia and its cabins, a can of spray fixative, the notebook I carried around while learning about and photographing the cabins, and a manilla envelope labeled PAGES. This is where I keep my “map” of how each page is to look. This project would come to a screeching halt without those little sketches.

Now I am mostly finished with Alta, Brewer and Chinquapin Lanes and have begun Cedar. 3 streets (mostly) finished, 26 streets to go.

Dang. That looks frighteningly large. One bite at a time. Draw, draw, draw.

The Great Talent Hoax

Pencil drawing for The Cabins of Wilsonia

Have you ever thought or said to an artist, “Gee, it must be great to have talent”? Or have you you ever said, “I wish I had talent like that”?

It’s all smoke and mirrors.

Actually, it’s not. It is practice, training, practice, rough criticism, more practice, a little success, practice, trial and error, practice, a little public embarrassment and yet even more practice.

Malcolm Gladwell wrote in his book “Outliers” that it takes 10,000 hours of intentional practice with a focus toward continual improvement to become an expert at something. He’s not talking about mindless repetition.

Practice makes perfect. Erasers help too.

The harder I work, the more talented I become.

Practice, practice, practice. And, have a second more objective pair of eyes that is connected to a truthful mouth that is connected to a kind heart have a look at your work.

My Very Wise Dad told me of a concert pianist who had to practice 8 hours a day. When he dropped to 6 hours, he could tell the difference. When he dropped to 4 hours, his audience could tell the difference.

The only people who don’t learn to draw are the ones who quit drawing lessons too soon. Those who persist begin to think they have talent.

They might be right.

Sometimes people quit drawing lessons (or piano or ballet or drumming or guitar or knitting) because they don’t love it enough to practice as hard as talent requires.

Think I put enough cliches in this blog entry? 😎 Perhaps I need to practice my writing skills more.