“Solds”? Is this really a noun? It is my world. Clearly the 6×18″ size is hot right now. Good thing I just ordered more canvases that size. I have several new ideas to paint in that format, so stay tuned.









“Solds”? Is this really a noun? It is my world. Clearly the 6×18″ size is hot right now. Good thing I just ordered more canvases that size. I have several new ideas to paint in that format, so stay tuned.









All those paintings of Mineral King over the past several months erased the subject of Three Rivers from my mind. When I got reminded that I hadn’t yet reserved my booth for the Redbud Festival, I also remembered that people might want to see some Three Rivers subjects during that little show.


All those paintings of Sawtooth completed over the past several months, and someone wants a different size?
Yep. No problem. I am an artist, and artists make art. Here are the beginning steps of the commissioned oil painting of Sawtooth:







Wow, it is time-consuming and interruptive to photograph the steps in this much detail. But, this customer has become a friend and likes seeing the progress. I’ve heard from others that seeing the process is interesting, so here we go. . .
Thank you for returning to see the next set of seven Kaweah Post Office oil paintings. Shall we commence our tour of the growth of my painting skills through the capitalistic exploitation of an innocent elderly landmark? (That would have cracked my Dad up – is anyone else out there laughing along?)







And thus we conclude our tour of my endless depictions of the Kaweah Post Office, popular landmark in Three Rivers, but not where I get my mail, in case you were wondering.

Every time an oil painting of the Kaweah Post Office sells, I paint it again.






That’s a lot of oil paintings of the Kaweah Post Office. But wait! There’s more! Come back tomorrow and see the second set of seven.
Occasionally I have a chance to teach a handful of people what little I know about oil painting. I have only been painting for 12 years, so while I feel qualified to share what I know, I don’t think of myself as a qualified oil painting teacher.
There are 3 women about 2 hours away from Three Rivers who have been learning to oil paint by various methods and by painting together. They invited me to teach them what I know. One was my dear friend, The Captain, who successfully painted a pomegranate with me about a month ago.
This time we painted poppies, each person working from a different photo, but all mixing similar colors and tackling the project in the same order, but at differing individual speeds.



One day a week or so ago, I painted in the morning and drew in the afternoon. This is what it looked like:




Then I moved into the studio. It was a sunny day, so I raised the blind and saw this:



And thus we conclude another workday in the life of this Central California artist.
While participating at a boutique on a quaint little farm in Three Rivers in December of 2016, I photographed these lanterns:

Everything the farm couple touches is quaint, beautiful, pretty, attractive, and every other complimentary term I can think of. My intention was to paint the lanterns on a 6×18″ canvas.
I started the painting with high hopes. First layers are never anything to feel good about.
The second and third layers provided a little more confidence.


Then I got to refresh a mural in Exeter, prepare for and participate in a pencil show with 3 of my students, paint some Mineral King to sell in the summer, draw lots of water, do 2 more murals in some vacation rentals, teach a couple of drawing workshops, work, and more work, all of it challenging in a great way.
Meanwhile, the lantern oil painting just hung in the workshop, getting dusty. I took almost the entire month of July off work, and hiked, sought out new wildflowers, visited Hume Lake.
More Mineral King oil paintings were necessary on short notice, then I drew morempictures of water in pencil, some pencil drawing commissions came in, and suddenly it was time to prepare for the fall shows.
Still the lanterns waited for some attention.
What was this Central California artist going to do with those lanterns?
Come back tomorrow and I’ll show you.
I got curious about how many hens and roosters I have painted, so here is a recap for us all to enjoy. I wonder how long this will be a popular subject. A friend had her kitchen decorated in hens and roosters in the ’70s, I think. She gave them away in the ’90s. And, here they are again. . . “We’re back. . .!”






The domestic bird paintings are all 6×6″, oil on wrapped canvas as usual, $60 plus tax as usual (unless you live outside California, in which case you can skip the 8% sales tax).
The wild birds are on 4×6″ wrapped canvas, oil as usual, $50 plus tax (unless you live in another state.)





