Different Roads

#14 in the series “Thoughtful Thursdays”

Becoming a professional artist takes more than talent, training and desire. It requires a plan, because one’s art can be the best in the world, but if it isn’t seen, it can’t be purchased.

The traditional method of “making it” in the art world is through galleries. An artist can build a professional reputation by entering and placing in juried and judged competitions, and by studying under professionals who are known in the art world. These artists prepare an artist statement and a biography that lists shows, prizes, galleries, professionals studied under,  and other art training.  These types of documents are very important in the formal art world and are often the key to opening doors.

It is more convenient to make it in this traditional manner if the artist lives near cities where shows, master artists, and galleries are available. Since each gallery has its own personality, it can take awhile to find the right match between artist and gallery. Between internet sales and the stalled economy, this traditional road is no longer the automatic route for artists to pursue.

The less traditional method of making it is to be self-representing. These artists seek direct contact with buyers through weekend festivals, commissions, selling on consignment in local shops and by opening their studios to the public. Instead of making art to fit the personality of a gallery, they are making art based on knowledge of their buying public.

These artists tend to have plain speaking loyal customers who say, “I don’t know much about art, but I know what I like!” Their customers might be impressed by shows entered and prizes won, but often are not familiar with the shows. They may find it interesting to know an artist’s training, but usually haven’t ever heard the names over which other artists go gaw-gaw.

Now that the internet provides direct access to millions of people, many artists are following the less traditional route. There are artists who sell all their work through eBay. There are several artists’ groups that specialize in completing a painting per day, and these are selling very steadily. There is a site called Etsy that sells handmade goods, and another called Cafe Press which will reproduce artwork on merchandise for the artist to sell. Most serious artists have a website for direct sales to customers.

In Three Rivers, I know several artists who haven’t found it lucrative to sell in Tulare County; they have gallery representation in cities and are building their reputations by entering shows around the country. There are also artists who prefer to stay local and sell directly to the public. All are friendly, helpful, supportive, respectful and genuinely excited to see one another succeed at earning a living through art regardless of the road chosen.

Tote Bag!

This is the Mother of All Totebags. I could carry paintings in it, lots of knitting, perhaps my entire yarn stash, or say, 5 or 6 watermelons. I’m posing in Fig Garden Village in Fresno, and I’m surprised people weren’t flocking to me to ask where I got such a fabulous oil painting totebag. Surely in Fig Garden some swanky little shoppe would want oil painting totebags!

That pocket is handy, dontcha think? And, because I know you are dying to ask, I made the sweater. I know what you are thinking – “Why doesn’t she DO SOMETHING with her hair instead of making all those sweaters?”  Simple – knitting is more fun than messing with hair. And this is one of my less weird sweaters, although there is a long piece of yarn stuffed up my left sleeve. Not sure why, but there you have it.

Thank you to Michelle who gave me the idea of salvaging my torn painting in this ingenious manner.

Hidden Gardens Teaser

Hi. If you haven’t gotten your tickets for the Hidden Gardens Tour, you still can. It is one week from today. And if you are wavering, I’m hoping these photos will whet your appetite and push the doubts away.

In addition to painting on location, I will have a few paintings with me. A percentage of the proceeds from the sales of those paintings will benefit our little Three Rivers School. Have a sneak preview:

Peeps? Yep, Peeps.

This may be one of the more unusual items I have ever painted! It is a commission, and there is a story of how it came about. My dental hygienist (yes, I am friends with my hygienist!) asked me to stop by her house to see a potential new painting project. She had fabulous tulips in bloom out front and I admired (and photographed) them. Later, I found some STUNNING oil paintings of tulips while zipping around the World Wide Web. STUNNING. I sent the link to the DH, and she saw that the artist also painted Peeps. Hunh? I didn’t even notice those on the site! DH asked me if I could paint Peeps for her. Umm, sure. I bought a package of yellow, my very first Peep purchase in my entire life! I’ve never eaten one either – my mom was mean, but I am 51 years old and only have 1 filling, so her meanness paid off. This may even have contributed to my friendship with my DH. As a model patient, she just admired me so much that we became friends? Nah, she is a very cool person, and we just like each other. Anyway, I digress. Here are the Peeps:

And, by the way, Happy Birthday, “Mean” Mom! 😎 (And thanks for the great teeth!)

Reasons to Learn to Draw

#13 in the series “Thoughtful Thursdays”

Reasons to Learn to Draw

Drawing is a skill that can be both taught and learned. If you compare it to typing, this makes sense: some people top out at 25 words per minute and others can become as fast as 90 words per minute. All are indisputably typing.

Why should a person learn to draw? Back in the “olden days”, it was considered a necessary life skill and was a regular subject in school. Now that we have easy and accessible photography and even easier and accessible internet, drawing has fallen into the categories of hobby or talent. Why draw if you can take a photo?

A few years ago there was a retired gentleman in Three Rivers who had trouble filling his days. We became acquainted at various art shows, and we would discuss drawing. After several conversations, he approached me and asked, “Do you really think you could teach me how to draw?” I responded in the affirmative and asked him why he wanted to learn. His answer still cracks me up: “I don’t really care about art; I just want to meet women!”

Besides the social aspect of taking drawing lessons with a small group, drawing helps us to look carefully at the places and items in our lives. It teaches how to see what is really in front of us, not what we assume is there, or think we see. A number of my drawing students have told me that after a few weeks of lessons, they begin to observe the world around them differently. Details, light and shadow, shapes, and ideas for drawings are all suddenly visible as never before.

Some people choose to take drawing lessons out of curiosity. They’ve heard me say I can teach anyone how to draw, with the qualifier that he can listen to instructions. These folks wonder if they are the exceptions and decide to just give it a try. The only ones who haven’t learned are those who quit too soon!

Other students come to me because they are painters who are dissatisfied with their paintings. Still others want to become painters and they know that drawing comes before painting. By learning to draw in pencil, a person will learn to see shapes, proportions,  perspective, and learn about values. Values are the darks and the lights, and without them, a picture gets described as being “flat”.

Several people have asked me for help because at some time in their past an art teacher crushed their spirits. If someone thinks he might have an artistic bent and his work is thoughtlessly dismissed, it can really damage his confidence. I have spent time listening to people’s stories, looking at their work, showing them new ways to do things, and watching them blossom into people who can draw.

Some of my drawing students draw better than I do! Although I thoroughly enjoy the time together, I ask them why they think they still need lessons. The answer is usually that if they haven’t reserved a spot in their week specifically for drawing, they won’t ever draw at all in spite of good intentions.

The man who just wanted to meet women did make some friends, and before he succumbed to cancer, he completed 2 beautiful pencil drawings. He just kept repeating, “I can’t believe I did this!” Rejoicing with him over his accomplishments is one of my happiest memories in all the years of teaching private drawing lessons.

An 864 Square Inch Oil Painting

The background trees are finished. Hmmm, about 1/3 of 864 square inches = 285. That leaves 589 square inches to paint. Approximately. Careful inches. (Fishing Guy appears to be in need a superhuman orthopedic surgeon.) This photo represents 5 days of painting. 10 more days on this??? Needs drying time. Needs to be varnished and more drying time. Needs to be delivered May 2. Guess I’ll just try not to get distracted by any more yarn paintings or other odd items and see what happens! You all will have to visit the show in Tulare, opening May 5, to see if this Giant Oil Painting made it!!

Product or Process?

Day Four resulted in more trees, brushy material, layers, working back to front, left to right. This left to right and top to bottom is the method I use when drawing with pencils. As a right-hander, it prevents smearing. As a Get-‘er-Dun Chick, I love the efficiency, and when it is finished, I’m in signing position.

Knitters often discuss the topic of Process Versus Product, deciding if we enjoy the process or just desire the finished product. In drawing with pencil, I’m usually 75% Process and 25% Product. I’ve found that in knitting, drawing and painting, the enjoyment of process increases with my skill level. In painting, it depends on the subject, photo quality, paint behavior (or misbehavior), brush obedience (or disobedience), and deadlines. Sometimes deadlines motivate me; other times they “pressurize” me. (My friend/neighbor Charlie says “Don’t pressurize yourself”.) This painting is probably a 50/50 situation of enjoying the process as much as I am looking forward to the finished piece.

P.S. Isn’t this a classic California Sierra scene by a California Artist? 😎

Day Three on Unfinished Painting

This was a rainy day so I couldn’t see well enough for detail painting. It was a good day for just loading on layers of greenery in the background to be finessed later!