First Saturday November is Over

But First Saturday Three Rivers December is coming.

Wilsonia cabin drawing in progress on the table

This is how my drawing table looked. I was working on a Wilsonia cabin.

Cabinart painting studio with doors flung open

This is the painting studio/gym/storage area/Trail Guy’s workshop. Please be impressed by my red chrysanthemums – I think the leaky hose in their barrel is the cause of their gloriousness. But wait! Notice the giant fruitbowl painting drying on the easel! When the three sides of the canvas are dry, I’ll flip it over and paint the bottom edge.

cabinart studio interior photo

This is the other side of the drawing studio. On the table are cards, journals (blank inside, $14 inc. tax), and the slightest corner of the 2013 calendar ($15 inc. tax). Too bad the air conditioner is so prominent. (So glad to have it during the summer.)

People came. They ate cookies. They bought art. It was good.

Want to come in December?

Mineral King in Fall, Part 2

I told you it was gorgeous in Mineral King in mid-October this year. Since our cabin is closed for the season, I will be stretching that mid-October Blast of Fall Color into several blog posts. May these photographs inspire you to do something good! (Don’t be cynical with me. . .)

Empire Peak in Fall photo by Jana Botkin

Empire Peak in Fall

Nature Trail Aspens in Fall

Nature Trail Aspens in Fall

Mineral King fall colors photo by Jana Botkin

Mineral King Fall Colors

Mineral King aspens in all colors photo by Jana Botkin

Aspens in All Colors

There will be more next Friday, because Fridays are for Mineral King on this California Artist’s blog!

First Saturday, Again?

If you are over 50, you probably are experiencing the rush of time. I don’t mean “rush” as in thrill, but rush as in hurry, fast, speedy-gonzalez. Didn’t I just particpate in First Saturday about 2 months ago? Nope, it was in May. Or was it in February?

See? I sound like an old person, which over 50 used to be.

In addition to the change in how time passes, there are always those questioning conversations, plus the ever-shifting definition of “old age”.

But that’s not why I am blogging today. (See? all those conversational diversions also go with middle-age!)

First Saturday Three Rivers is happening in two days, on November 3, 2012 and MY STUDIO WILL BE OPEN.

Sorry for shouting. I get a little carried away sometimes with the enthusiasm of actually having folks come to my place of normally solitary and silent work.

You’ll have to go to Anne Lang’s Emporium to get a map to find me. I’m not posting directions or my address on the World Wide Web for all those weirdo spammers to see!

The theme is Oak. Or is it Oak Leaves? Maybe it is Oak Trees.

If you come, you’ll have the best selection of my new blank journals with my paintings on the cover ($14 inc. tax) or my first ever calendar with paintings for each month of 2013 ($15 inc. tax, special deal for you only this Saturday.)

Lone Oak oil painting by Jana Botkin

Lone Oak, oil on wrapped canvas, 12×16″, $250

How A Fruit Bowl Painting is Like a Living Room

I paint in layers, particularly when a painting is very particular. (Heh heh. . .  how is that for being articulate?) First, the shapes get roughed in (and I mean ROUGHED). Then, the basic color is laid down thinly. Then, details begin, but not too exact and the color isn’t too fussy yet. Because I know it has to be gone over multiple times, I don’t get too worked up about precision yet.

fruitbowl oil painting in progress

Since I last showed you this, I’ve added new detail to the window on the right and repainted the curtains behind the window pane on the left. The onions, avocado, 2 limes, 2 lemons, and 1 orange are looking good for now. “For now” because once the rest is recovered, they may no longer meet my new standards.

Next, I’ll fix the 2 tomatoes, the remaining lime and lemon and orange. That will show what a mess the bowl and the table top are, so they will need to be redone.

Then, I’ll look at the whole painting again and see if anything else can be improved.

It reminds me of just adding a couple of new pillows to the couch. Suddenly, the shabbiness of the couch is evident. Then, when the couch is replaced, the 2 chairs no longer are up to snuff. (What does that mean?) When the chairs are replaced, the curtains become unacceptable. Those get replaced, and then the rug looks cruddy, and on and on it goes.

I’m not showing you any photos of my living room.

Crescent Meadow in Triplicate

“Triplicate” is not to be confused with “triptych”. It means in three parts, but not the same way as a triptych. That means one painting in three parts.

Never mind.

oil painting of Crescent Meadow by Jana Botkin

I probably paint better now.

I hope so.

A customer stopped by my studio and said he’d bought a painting of Tharp’s Log for his son a year or so ago. Now he wanted to buy something to go with it, and he remembered it had been shown with a painting of Crescent Meadow. (If you have visited Sequoia National Park, then you probably know that one begins the walk to Tharp’s Log at Crescent Meadow.) Of course the painting had sold.

Doesn’t that sound snotty? “Of course the painting had sold.”

I showed him the photos of previous paintings of Crescent Meadow until he said, “That’s it!” He asked me to paint it again for him. By way of reassuring me it isn’t wrong to repaint the same scene, he told me the story of Gilbert Stuart, who painted George Washington over and over and over, possibly even in the same pose.

It did make me feel better – thanks, Bill! I’ve been doing the same scenes over and over for years and wondered if it was cheating!

Since I needed to paint one for this man who lives far away to give to his son who lives even further away, I decided to paint 2 of them. As long as I have to mix up the paint colors, it makes sense to me.

It is similar to Marilyn’s saying, “Cook once, eat twice”.

Crescent Meadow oil paintings in progress

 

Now they are drying so that I can add more detail on top, including some wildflowers. Notice the two are not identical. That would be too hard for this California Artist who is working hard on not being bound to her photos.

A Love-Letter to my Blog Readers

Dear Gentle Blog Reader,

You know I love writing my blog, right?

Did you know that I have more ideas than there are days in the week? Did you know that I love telling you about my life as a California artists in li’l ol’ Tulare County (AKA Quaintsville)?

Did you know that I love getting emails and comments from you?

I love words, putting them together, playing with them, learning new ones, finding great expressions from other people and stealing borrowing them.

I love photos, places around here that are beautiful, and showing them to you. And in spite of being a Regionalist, I love finding new beautiful places.

I love detail, realism, authenticity, learning to paint better, mixing colors from the primaries, and drawing.

I love teaching people to draw.

Thanks for letting me share the love,

Jana, the Regionalist from Quaintsville

Mineral King in Fall

The weekend of October 19-21 was a glorious time of clear weather and stunning color in Mineral King. It seems as if has been many years since the color was that good up there. Perhaps it has been that good, but I wasn’t there. In my memory, there were no reds, and the yellows sometimes blew off before hitting peak color. But, I don’t keep a journal other than my photos and this blog, so I could have missed it.

This is a source of inspiration to this California Artist. Hope it inspires you to think great thoughts, create something, stimulate the economy, or just be nice.

Farewell Gap in Fall photo by Jana Botkin

Farewell Gap in Fall

Mineral King Aspens photo by Jana Botkin

Mineral King Aspens

Timber Gap in Fall photo by Jana Botkin

Timber Gap in Fall

A wise friend (actually, several of them) suggested I remind my Gentle Blog Readers that my photos are available for purchase.

5×7 – $10, 8×10 – $20. Any larger than that? I don’t fully trust my pixels.

How to buy? email me at cabinart at cabinart dot net (several someones wiser than me have advised that is the best way to put eddresses into blog posts – I think you’ll figure it out!)

To be continued next Friday, because Fridays are for Mineral King on this blog.

A Zillion Ways to Paint

About 6-1/2 years ago I began oil painting. I knew nothing. I asked lots of questions of anyone who painted, bought some tools and paint, and started. I knew nothing.

fruit bowl painting in progress

I signed up for classes at the crafts chain Michael’s and attended 2 of the 4 classes. I signed up for a class at the local junior college and completed half a semester. I read books. I asked more questions. I read websites and blogs and watched videos.

This is what I learned:

1. Use a limited palette. (defined differently by each person who says this)

2. Only use the best paints.

3. Don’t waste your money on good paint – the cheaper brand of Winton is just fine.

4. Only buy the best brushes.

5. Get the cheapest brushes on sale at Michael’s.

6. Finish your paintings in one pass  – ” alla prima”.

7. Don’t lick the canvas with your brush – be EXACTLY sure of where you want the paint to go before you apply it.

8. Paint in layers, from lean to fat (which no one has yet adequately defined).

9. Use liquin.

10. Never use liquin – use “this” formula (which varies depending on the speaker/writer/teacher).

11. Don’t use any formula – use pure linseed oil.

12. Paint plein air (meaning outside on location)

13. Don’t attempt plein air until you are really comfortable with painting.

14. Paint large, at least 16×20.

15. Paint small so you can get lots of practice on many paintings and sell to people who are low on money and low on wall space.

16. Don’t copy anyone’s style.

17. Copy the old masters.

18. Take all the workshops you can find.

19. Don’t take any workshops – learn your own style.

20. Only use a glass palette, preferably backed by a grey cardboard piece.

21. Use disposable palettes.

22. Use a cheap palette and cover it with wax paper so you never have to scrape it.

23. Wait a year before varnishing.

24. Don’t varnish – it will turn yellow.

25. Use spray varnish as soon as you finish painting.

26. Look at your painting in a mirror – always have a mirror in the studio.

27. Look at your painting upside down.

fruit bowl painting in progress

I’m confused. Are you?