Sunrise Over the Kaweah River

Remember this messy beginning?

After finishing the new little paintings to sell in local galleries and gift shops, I returned to this 16×20” painting, which felt like a mural after those 6×6” canvases.

There was another painting session between the photo above and the next one. I didn’t take any photos because sometimes I just forget. Other times I say to myself, “Self”, I say, “No one cares”.

Sky first (because I paint back to front). These are colors I haven’t mixed before.

The improvements might be hard to locate, but not so hard if you remember that method of painting back to front. It means I paint the things farthest away first, and keep moving closer, rather than jumping around all over the canvas.

Holy guacamole, there are so many rocks in the lower left quadrant.

Nope, not going to paint all the rocks that show in the photo. I widened the river too, because I am the boss of the painting and the photo is not the boss of me.

Now it needs the edges painted, and a signature, but before either of those, I will mull this over for awhile. So often I think a painting or drawing is finished until I view it on my computer screen.

Weird, but not uncommon.

Because Business Picked Up …

… it is time to produce more paintings. These are the standard small ones that sell steadily to visitors to Three Rivers and Exeter, where my three main selling locations are, Kaweah Arts, Stem & Stone, and the Mural Gallery and Gift Shop. (Because that lemon sold so quickly at the Mural Gallery, I have another one drying for them.)

They are all oil paint on wrapped canvas, which means the edges are painted and framing is optional. I just didn’t want to type that every time.

Poppy, 6×6”, $75 (Stem & Stone)
Poppy II, SOLD
Lemons on the Tree, 6×6”, SOLD
Big Tree, 4×6”, $75 (Stem & Stone)
Poppies up the North Fork, 6×12”, $145 (Kaweah Arts)
Sequoia Gigantea XVIII, 6×18”, $190 (Kaweah Arts)
Alta Peak, Moro Rock, 6×6”, $75 (Stem & Stone)
Kaweah Country, 6×6”, $75 (Stem & Stone)

P.S. If you don’t live in town and would like to buy any of these new paintings (the ones that haven’t sold already), I can retrieve them from their stores and send them to you.

TODAY IS THE SEVENTEENTH ANNIVERSARY OF THIS BLOG!

Only the Living

Only the Living? What is that?

So glad you asked!

Only the Living is the title of my most recent book publishing effort*. This is a novel by my dear friend, Louise Jackson, author of many books, our third project together. We began working on this one last summer, and now it is ready for purchase.

Based on a true story that takes place in the Western United States during the tumultuous nineteen thirties, Only the Living is centered on Teresa Wei Ramirez, a young girl of Mexican-Chinese heritage. Thrust from a stable family life as a child in Arizona into a life of migratory field work, Teresa’s life evolves into one of fear, longing, and dreams of escape as her labor crew migrates through agricultural fields up and down the Pacific Coast states.

Teresa’s dreams of escaping become reality after she survives being beaten and abandoned in the fields of California’s Central Valley farmlands and is taken to a welcoming home and family in the Tulare County town of Farmington.  There she finds acceptance, love and hope for her future, yet holds a continuing fear of the life she’s left behind. 

Her interactions with those who have created her fears, love, marriage, parenthood, reunification with family, labor union struggles, and lifestyle choices, all contribute to Teresa’s struggle for belonging in diverse
multicultural communities of complex, multifaceted individuals.

The story takes place in a decade of change and uncertainty between two world wars, a time of massive immigrations, migrations, depression, social upheavals, prejudice and fear. A time also, of opportunity, new freedoms, changing technologies and values. A time not unlike today.

WHERE CAN YOU BUY ONLY THE LIVING?

So glad you asked! Right here, at Lulu Publishing.

Why yes, that is my painting on the cover! Thank you for noticing. Louise insisted, and I am completelyhelpless in the face of her requests.

*I help local authors by editing, proofreading, formatting, designing covers, and submitting manuscripts to assisted-self-publishing companies. This is my first novel. Nope, I don’t do marketing, other than putting the purchasing info on my blog.

Business Picks up in April—Sold

In the 30+ years I’ve been earning a living with art, I’ve seen that business usually picks up in April. This year is no exception.

Salt Creek Trail, 8×8″
Sequoia Gigantea XVI, 6×18″
Lemons on the Tree, 6×6″
Pomegranate on the Tree, 6×6″
Poppy, 6×6″
Lemon on the Tree II, 6×6″
The Best View, 10×20” (I added a wind machine for the customer, but didn’t rephotograph it)
Spring Citrus, 12×16″

When paintings sell to people passing through town, I replace those with similar paintings. Lots of sequoia trees (AKA “redwoods” or “big trees”), oranges, lemons, pomegranates, and poppies. I’d rather paint repetitious subjects than go job hunting.

Sources of Inspiration

Today’s post is about beauty, because April is beautiful around here. Color and light is a source of inspiration for paintings. (Detail and light inspires my pencil drawings.)

On my way down to work at the Mural Gallery I stopped in the usual turnout for a photo of the lake.

On the way home, I drove over Rocky HIll and took many photos. This is a small sample, and there are lots of painting ideas here.

Any one of these photos could be turned into a painting. There are even more photos that I didn’t show you.

Flowers: Wild and Domestic

There is a beautiful world outside of the studio, so we can’t be using up the glorious month of April simply showing you layers of paint as it dries on the canvas.

OUT AND ABOUT

IN MY YARD

P.S. Happy Birthday, Mom!

Ducks Not in a Row

This is an official complaint about modern life, rife with technological obstacles.

  1. In paying my quarterly sales tax, the computer said I needed to verify myself because it didn’t recognize my browser (WHY NOT, YOU IDIOTIC WEBSITE?) when I logged into the state tax collection page (Used to be called Board of Equalization, but now the name is longer and I don’t care enough to remember it). So I had to put in my password, wait for an email with another code, enter that into the site, and then proceed. (It might have required my password a second time). Then I went through the exercises to pay the sales tax, but before I could pay it, I had to enter my password again. After that, in order to finish the transaction, it asked for my password yet again. Why is this necessary?? How is this in any manner efficient? (HEY ELON, COME TO SACRAMENTO AND GET THIS MESS CLEANED UP!)
  2. I have a credit card for my business which I rarely use. The company sent a letter saying that my information needs to be verified or updated or somehow enhanced, and I can oh so conveniently go to their website to do this. However, the website requires a user name and a password, something that I have never set up. I think it might be time to let that credit card go the way of all flesh.
  3. Some lab work is required, perhaps a week before the next medical appointment. I needed to know how much in advance the blood needed to get its results back, so I called the clinic; “Clinic Name, Can you hold?” I hung up and found the number for the lab; “Lab, Can you hold?” I suppose I should be grateful there is a human answering instead of a robot. The human immediately recited, “Date of Birth?” I said, “Is that required to know how long it takes for the results?” (Hurricane-sized sigh)
  4. I may need to fly somewhere soon. Will I need to get a “real ID” to board a plane? What is my current ID—fake?? When I last renewed my driver license, I passed on the option to get a “real ID” because when Trail Guy tried to do this a few years ago, the bureaucrat at the DMV told him he didn’t have the proper papers with him, despite bringing EXACTLY what was indicated on their website. (Thank goodness my passport is still valid). If a California driver license isn’t “real”, then why is it required in order to drive, see a doctor, write a check, or who knows what else? What would happen if I showed my library card instead?

So, tell me: do all these companies have their ducks in a row? Or are their ducks so multitudinous that it isn’t possible to line them up?

Or do I not have all my ducks in a row because I CAN’T STAND ALL THIS STUFF?

Please excuse me for shouting. I’m thankful to live in Three Rivers, in Tulare County, where eventually you can find a human, probably someone who knows someone you know.

Peeps aren’t ducks; they are marshmallows. But I thought we could use a light-hearted photo about now.

Tomorrow we can look at some photos, just fun, perhaps inspirational toward a new attitude or some new paintings.

Working at the Mural Gallery

The Mural Gallery and Gift Shop in Exeter has been selling my work for many years. It used to only be for artists who had painted murals in Exeter. Eventually we were all old, moved away, didn’t produce smaller pieces, or dead. (Of that list, I am only sort of old—thanks for asking.)

Now it is a gallery, but more of a gift shop, for local artists. In order to have them take less of a bite out of an artist’s sales, artists can work one shift a month. Today is my April shift.

In case you are wondering what I have there, here are photos taken from my March shift, worked last Friday.

All the Mineral King paintings will move to the Silver City Store/Resort in time for Memorial Day weekend.

Yes, they sell my cards.

While there, I did a bit a display rearranging, after I took these photos. You can see that the place has more of the feel of a gift shop than a gallery. I’ve always done better in gift shop settings than galleries, so this is fine with me. The folks running the place are very in tune with what people want, enthusiastic, organized, and a pleasure to work with.

Meanwhile, I brought four new small citrus paintings. They are waiting for bar code pricing stickers in front of these two fabulous original paintings by the fabulous Heidi Steinman.

11-4 today, 121 South E Street, Exeter

Begun, Finished, Improved

Begun

These oil paintings have their first layer down.

Finished

These paintings are dry, scanned, and delivered to their stores. (And in the category of Wishful Thinking, perhaps they are sold.)

Improved

These paintings have some minor items added to make them a smidge better.

Per my customer’s request, this now has a wind machine.
I studied this awhile and added a few more poppies hanging over the road on the bottom right of the painting.