For awhile, I’ve been advising you to view my Sequoia mural from the back of a fast horse, preferably at a distance. I’m beginning to think that it might be okay to slow your horse down now, but distance is still an advantage for best viewing.
Getting better with each session. This is the result of 15 hours up and down a ladder. You’d think I’d be quite fit by now. Have another think. . .
The ridges aren’t quite as visible in this photo.
I have a few decisions to make about this project. . . add a human? Will she be the right height? Will the ridges and my inexperience painting humans make her look like a freak? What shall I do in the hard to figure out spaces behind the big trees? How will I put light on the ground behind the trees without it looking as if there is snow? How will I be sure that the traces of snow at the bases of the trees do look like snow? Does there even need to be snow?
That’s sort of overwhelming. I think I’ll just turn away from the mural and see the view behind me.
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