Did You Think I Was On Vacation?

In case you were wondering if all I do is yammer on about the beach or Mineral King, let me remind you that I am a working artist. Sure, maybe I’m only working part time these days, but I AM working. Here’s a list of upcoming projects (remembering that until money exchanges hands, it is only conversation):

  1. I bid a mural which I did not get.
  2. I won a competition for a mural that was initially promised to me, turned into a competition in which my design was chosen, delayed, and now, three years later, it might actually happen.
  3. Some folks want a pencil drawing of the view from their parents’ front porch in Texas. This will be a very challenging commission. Maybe they’ll send me to Texas. . . probably not.
  4. The same folks want another pencil drawing of the view from their other parents’ home with a vineyard and the Sierra in the distance.
  5. Someone I’ve never met in person but am getting acquainted with on The Frugal Girl blog wants an oil painting of his house, somewhere on the east coast.
  6. A friend and I are discussing a painting of the 2 sequoia trees in Redwood Canyon (on the Mineral King Road), which she calls “Two Sisters” and I learned as “Aunt Tillie and Uncle Pete”.
  7. My show continues in Tulare, so here is a reminder of the dates, days and hours.

The list format doesn’t allow for photos to be inserted, so here are a few to keep you from thinking TLDR, which means Too Long, Didn’t Read.

#1 —I didn’t waste time doing sketches when the potential customer hadn’t come up with a budget. I’ve learned that lesson the hard way.

#2 This is the mural that I designed, submitted to the competition, was chosen, then put on hold. I sure do hope I get to paint it!

#3 Texas porch view photo to be turned into a 14×17” pencil drawing

#4 Front porch view (but change the trees to a vineyard)

#5 This is just a photo of his amazing Japanese maple. This will be a very challenging painting but I’m up for it!!

#6 After photographing them countless times, I could only find one shot, which is horizontal rather than the desired vertical format. For now it is just conversation, so there is time to get new photos.

Finally, here are the specifics about the show AROUND HERE in Tulare.

AROUND HERE will be at the Heritage Gallery in the Tulare Historical Museum through August 30. Days/hours are Thursday, Friday, and Saturdays, 10-4. (444 W. Tulare Ave.)

Good Reception, Going Quiet

The reception was well attended by people from all different parts of my life. I was especially touched to see several of my drawing students there (no extra credit for attending; no demerits for skipping.)

Here are some photos provided by attendees.

I love my drawing students and miss them when we don’t meet for two months in summer.
There was an enormous selection of finger foods which looked delicious, but I stuck to water. Too much talking and handshaking and hugging to be dealing with a plate of food.
Father John, formerly of St. Anthony’s Retreat in Three Rivers is a very accomplished painter who encouraged me back when I began oil painting in 2006.
Kim is a fabulous realistic pastel artist and also a fabulous pianist. Her tunes in the background were perfect.
I was thrilled to see some MK friends! (and learn that others stopped by a day or two later on their way to MK—thank you, G & D!!)
This is the only decent photo of the ones I took before the reception began. I was a little worried that no one would show up, so maybe I wasn’t giving photography my best attention.

Why is this chick so smiley? Because: A. Her favorite dress still fits after 30 years and she rediscovered that it has pockets; B. She is going quiet on the interwebs for a week or so; C. She will be with her first friend from Three Rivers and her very dear friend from Texas next week.

Nothing to see here, folks.

AROUND HERE will be at the Heritage Gallery in the Tulare Historical Museum through August 30. Days/hours are Thursday, Friday, and Saturdays, 10-4. (444 W. Tulare Ave.)

P.S. It is ALL FOR SALE.

RECEPTION TONIGHT!

The gallery director and her granddaughter hung the show with my eager and curious assistance.

This gallery seems dark inside, but the lights on the art are terrific. Carpet on the walls looks odd at first glance, but it is surprisingly effective in preventing the need to continually patch and repaint holes.

It’s a great gallery and I hope you can come.

Working Toward a Solo Show

In August, “Around Here and Sometimes a Little Farther” will open in Tulare at the Tulare Historical Museum’s Heritage Gallery.

What is this? So glad you asked! It is another solo show of my art.

Pieces have sold since the show last fall in Exeter at CACHE, new pieces have been painted, and it is time to assess the collection. Do I have enough paintings? Is there enough of a spread of sizes, shapes, and subjects?

How do I figure this out? So glad you asked! (Have you noticed how many times an interviewee responds to a question with “great question”? I try to avoid clichés, so I made my own clichéd response.)

Trail Guy and I set up my display screens in the painting workshop and hung all the larger paintings. I made lists: how many of which subjects, how many vertical, how many horizontal, which ones need to be touched up or improved or finished, and what shall I paint next?

The two blank canvases will become Sawtooth paintings, one horizontal, and the other vertical. The vertical canvas is turned around because it has a painting on the other side, done many years ago by a friend’s daughter. She passed the canvas along to me, rightly discerning that my frugal self would say a hearty “THANK YOU!” and turn it into something else.

These look rather undignified, all squished together, crooked, some on the floor. Doesn’t matter for purposes of this evaluation session.

I wanted to go lie down, eat some chocolate, read a book, pull a few weeds, knit something, or just rock while staring out the window, but instead we schlepped all the paintings to the studio and replaced them with pencil drawings. Sometimes I can find my inner warrior and soldier through.

Are there enough? Are any too tired to show? What pieces need to be added? Do I have frames that will work or will I need to fork out money for more framing? (My framer is wonderful, in case you are interested. I take him pieces, tell him my budget, sometimes indicate a mood such as “formal” or “rustic”, tell him to make it look good and call me when it is finished. His name is Ed, and his business is Express Framing in Visalia. Tell him I sent you.)

This list is shorter than the oil list because I have many many many pencil drawings. How many? Glad you asked! A LOT!! (I don’t want to count.)

Currently I have 24 larger paintings, about 15 smaller ones, and 9 tiny (5×7”) ocean scenes that will sit on easels. That is 48 paintings, but there is a chance some of them will sell at Silver City this summer. There are two new large ones to paint (maybe more if the asphalt paver coming to repair our driveway decides he would like to barter), three to improve, and one to finish.

I will probably add about four more to the current batch of pencil drawings: another pier, another portrait, and two with some color in them.

What was so tough? It was a lot of schlepping, but that’s no biggie. Sometimes it is just hard to face reality: is my work good enough? How much work remains? Have I bitten off more than I can chew? Can I do better? Am I promoting my work enough? Does anyone care? Should I just go get a real job?

All of this thinking and planning is simply part of the business of art.

Will this painting get finished?

What I really mean is will it be finished in time for the show at the Tulare History Museum, opening May 5. My good friend DJ and I love to discuss business. I asked her to look at the paintings I have for the show to see if she thought it was a good mix. She said it could use one large central point, a grab-’em-and-pull-’em-in kind of painting. We tried on several ideas. The mail came, and there was a large envelope from Kodak. I opened it, showed DJ some of my photos, and she said “THAT’S IT!” She pointed to a pair of photos, asked if I could paint the two together for a large picture. After dithering a bit, I asked Michael if he minded being painted for a show. He liked the idea, so here we go!

This is HUGE for me. 36×24″ is MASSIVE. It feels bigger than a mural, because with oil I layer and layer and layer, and use as much detail as I can manage. Murals use acrylic, and sloppier strokes look tight and careful on a giant scale. Murals are fast compared to this size of oil. Oh-oh, I’m shutting up now or I will talk myself out of trying to finish this! If it is finished, I will tell you but not show it. I want you to come to the show! The opening: Tulare Historical Museum, May 5, 5:30-7:00

And, just in case you may have forgotten, this is a painting of a man fishing in a stream in the Sierra Nevada, in Sequoia National Park, in California. I am a California artist!

Yokohl Valley Show

Next week I will deliver a new painting to the Tulare Historical Museum. They are having a themed exhibit entitled “Yokohl Valley Revisted”. If you are a follower of this blog, you may recall a photography trip I took through the Yokohl Valley last spring – see the April 2 and April 3 postings. (I thought I was gathering info for a show in the Bay Area, but it turned out to be for plein air painters, which I am not.) There were so many beautiful photos from which to choose – I carried the best ones around to several spring shows and also polled my students. The view with the highest number of votes is the one I chose to paint. Out of respect for the Tulare Historical Museum, I won’t post the painting here until after the show opening. The title might pique your interest – “Forgive Us Our Trespasses” popped into my mind as soon as I began the painting, and it can be interpreted in two different ways. The opening reception is Thursday, January 13, 5:30 – 7:00 p.m. No admission is charged (hmmm, can we peek into the museum during the reception??) and there are refreshments. Depending on the number of paintings at the show, they might also accept this painting that I did for an earlier Yokohl Valley show. (popular subject – go here to learn more: Save Yokohl Valley)

Behind Rocky Hill, 16×12″, oil on wrapped canvas

Here is something rather astonishing that I discovered on a blog I read from time to time called “Abby Try Again” – in her January 3, 2011 posting this interesting and creative photographer with roots in Tulare County showed her favorite photographs of 2011. Look at this list, and tell me what you think about the last photo. Abby Try Again