A Zillion Ways to Paint

About 6-1/2 years ago I began oil painting. I knew nothing. I asked lots of questions of anyone who painted, bought some tools and paint, and started. I knew nothing.

fruit bowl painting in progress

I signed up for classes at the crafts chain Michael’s and attended 2 of the 4 classes. I signed up for a class at the local junior college and completed half a semester. I read books. I asked more questions. I read websites and blogs and watched videos.

This is what I learned:

1. Use a limited palette. (defined differently by each person who says this)

2. Only use the best paints.

3. Don’t waste your money on good paint – the cheaper brand of Winton is just fine.

4. Only buy the best brushes.

5. Get the cheapest brushes on sale at Michael’s.

6. Finish your paintings in one pass  – ” alla prima”.

7. Don’t lick the canvas with your brush – be EXACTLY sure of where you want the paint to go before you apply it.

8. Paint in layers, from lean to fat (which no one has yet adequately defined).

9. Use liquin.

10. Never use liquin – use “this” formula (which varies depending on the speaker/writer/teacher).

11. Don’t use any formula – use pure linseed oil.

12. Paint plein air (meaning outside on location)

13. Don’t attempt plein air until you are really comfortable with painting.

14. Paint large, at least 16×20.

15. Paint small so you can get lots of practice on many paintings and sell to people who are low on money and low on wall space.

16. Don’t copy anyone’s style.

17. Copy the old masters.

18. Take all the workshops you can find.

19. Don’t take any workshops – learn your own style.

20. Only use a glass palette, preferably backed by a grey cardboard piece.

21. Use disposable palettes.

22. Use a cheap palette and cover it with wax paper so you never have to scrape it.

23. Wait a year before varnishing.

24. Don’t varnish – it will turn yellow.

25. Use spray varnish as soon as you finish painting.

26. Look at your painting in a mirror – always have a mirror in the studio.

27. Look at your painting upside down.

fruit bowl painting in progress

I’m confused. Are you?

Get Busy

A friend gave me a sign for my studio that says something about getting busy. I’m very obedient and have been busy. Although I thought I had enough paintings for the upcoming Fall Shows and that I’d be drawing ahead for the Cabins of Wilsonia, I’m still painting for the busier selling season.

oil paintings of Three Rivers by Jana botkin

It is wise to keep paintings of Sequoia trees and of the Kaweah Post Office always on hand because I am a California artist from Three Rivers, which is right below Sequoia National Park. Part of being a Regionalist from Quainstville is always having oil paintings of my quaint surroundings available for those who appreciate such simple and beautiful subjects.

oil paintings of Three Rivers

River paintings are also fairly popular with my fellow citizens of Quaintsville. We love our little area with its familiar landmarks. When you are a California artist who lives in a place called “Three Rivers” (that actually has 5 forks of the Kaweah River), how can you not paint river scenes?

Who Told Me I Can Paint??

Remember “The Most Beautiful Fruit Bowl I’ve Ever Seen“? I was ambivalent about painting it. But, something has overtaken me. Courage? Wanting to test my skill? Idiocy?

Not only did I decide to paint it, I decided to paint it 24×30”!

Ooo-ey, Girl, you bin dropt on yer head??

Maybe.

Today I decided that I am a poser who just has been faking you all out. I started the painting and just couldn’t get things to fit.

When my drawing students can’t get things to fit, I have them turn their paper and the photo upside down. Today I found myself acting as my own teacher, because I was really struggling with making these shapes fit in the space. This is how I tackled this challenge:

fruit bowl painting in progress

I even resorted to putting a grid on the canvas to see if that would help my tortured self. It did, but now I am hard pressed to tell which are the shapes and lines to keep and which are the ones to paint out.

fruit bowl painting in progress

Who told you that you can paint?

No one – I just started, I do paint, and I still don’t claim to really know how.

Come to think of it, does anyone really feel as if they know how to paint? There are a few out there, prolly those people with 10,000 hours of practice. I haven’t kept track of my hours at the easel yet, but chances are it’s not 10,000!

Tell that inner critic to just shut up and let the inner teacher take over.

Yeah. That’s what I’ll keep doing.

New Paintings for Fall

In spite of not showing too many paintings lately and taking a few days away from the blog, I HAVE been oil painting with the upcoming Fall shows in mind. Doesn’t looking at these just make you just want a pumpkin spice latte?

liquidambar

Liquid Ambar (yes, that is the correct spelling for the tree), 6×6″, oil on wrapped canvas, $40

Pumpkin VII, 6×6″, oil on wrapped canvas, $40

Persimmon VIII, 6×6″,  oil painting on wrapped canvas, $40

All these new paintings are available on the Still Life page of my website.

Shhhhhh. . .

. . . I’m going quiet on my blog for a few days. Don’t worry, just taking some time off from blogging. I’ll be back next week, maybe on Tuesday. Enjoy the silence, but don’t forget to check back in next week!

Honeymoon Cabin oil painting by Jana Botkin
Honeymoon Cabin, 6×6″, $50, oil on wrapped canvas

 

Taste The Arts

Taste the Arts takes place on Saturday, September 29 in Visalia, California. It is a little division of a week long event called “Taste of Visalia“. Maybe. I’m quite confused on the whole shebang.

What I am not confused about is that I will be one of many artists showing and selling my work at a former lumberyard in downtown Visalia from 11 a.m. to 6 p.m. The former lumberyard is encircled by Oak, Garden, School and Bridge Streets. I think the entrance is on Oak. I think it is free.

I am also not confused about the fact that I did several new paintings for the event. Here is one:

sawtooth oil painting by Jana Botkin

This is Sawtooth, in Mineral King. The painting is 16×20, the price is $375. Maybe people in Visalia aren’t as interested in Mineral King as people on this blog, in Mineral King and in Three Rivers. We shall see! (Who uses the word “shall” seriously??)

Accepted

The Madera County Art Council notified me that the following pieces have been accepted into their Ag Art Show.

Loves Cotton, Loves To Knit oil painting by Jana Botkin
Loves Cotton, Loves To Knit, 8×8″ oil painting

This will be in the category of Row Crops. It ought to give people pause as they look at pictures of alfalfa and broccoli.

oil painting of pomegranate
Great For Jelly, 10×10″ oil painting

Pomegranates have their own category. I think Madera produces quite a few and has a festival of pomegranates. This might be the 40th painting I’ve done of pomegranates, but it got a real title instead of a numbered series name.

Great For Pies, pumpkin oil painting by Jana Botkin
Great For Pies, 10×10″ oil painting

 

This will be in the category of Vines, which is usually dominated by grapes, vineyards, and wine pictures.  Guess it will stand out – sure hope so!

P.S. I’m not talking about the pieces that weren’t accepted. It will taint them, they will get a complex, and you will not want to buy them.

Redwoods, Redwoods, Everywhere

I still have a very large commissioned oil painting of redwoods to complete. Redwoods are sequoia gigantea, not to be confused with California redwoods. We grew up calling them “the big trees”, and I had no clue what a privilege it was to live so close. (I might have been a bit of a twit.) I choose to call them Redwoods now because I went to Redwood High School, and although I will skip the upcoming reunion, I have retained enough loyalty to hang onto the name. But, I digress.

Redwood oil painting in progress

The customer liked a similar painting that I made for someone else, which was based on the pencil drawing called “Redwood & Dogwood”.

You can see the drawing, plus a photo of a sequoia on my laptop. The reason the palette is on the floor is because I was kneeling there to work on the lower portion of the tree. You can see the primary colors running across the top of the palette and the redwood colors running down the side.

But wait! There’s more!

redwood mural, pencil drawing, photo and oil painting

Sheesh. This California artist has a thing about redwood trees. On the left is half of the pair of doors to the painting studio. I had to open them because it is sort of dark in there. Then, the swamp cooler had to be on high, so the doors were blowing around.

It’s rough being a California artist in the heat of summer.

Wah.

commissioned oil painting of redwood in progress

This is how it looked at the end of the noisy, dark, overheated day of painting. It should dry enough overnight to begin adding the dogwood flowers on top of the redwood tree. I mean layered in front of the tree, not up at the top of the painting. You knew that, right?

 

Gingko Leaf Painting Practice

A few years ago I painted a gingko leaf. A friend saw it and asked if I could paint the same for her, but make it green instead of yellow. I did.

yellow gingko leaf oil painting

The background didn’t please her, because the darkness that I thought showed off the leaf looked depressing to her. This was her opinion, which I asked for. Since the painting was to please her, I appreciated her honesty.

green gingko leaf painting

The painting hung in my workshop for several months before I repainted the background. Nope, not that either. But, I did add more detail to the leaf, which suited us both better.

Throughout these conversations, I insisted on honesty from her. It is the only way I can learn, the best way to communicate, and an indication of the level of trust between us.

I finally asked her for a suggestion of what she would prefer. She said, “Sunflower yellow, I think!”

gingkobiloba1leaf painting

Said Friend knows her mind – this one was a hit! It certainly isn’t depressing, and since she is happy, I am happy too.