Exeter’s Mural Project

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In 1996 the small town of Exeter, California embarked on a journey to create an outdoor art gallery. At that time the town was slowly dying commercially. There were always parking spaces available in front of business on the main street, there were many empty spaces available for rent, there were very few shops and fewer places to eat. There was a desire to do something and many random ideas but no central theme or person with passion willing to stick his neck out and pursue an idea.

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The idea of murals was brought to me by three separate and unrelated individuals at different times. Suddenly things began happening at a rapid pace and the city council voted to hire a consultant to teach us  how to become a mural city. Through a series of odd coincidences, I was made the president of the group. I knew nothing about such things, so I surrounded myself with folks who did know how to make things happen. I had nothing to lose (except perhaps my struggling art studio), so I poured myself wholeheartedly into the task of turning Exeter into an outdoor art gallery.

img_0766.jpg We tackled the process of laying the foundation for Exeter, A Festival of Arts by writing job descriptions, by-laws, contracts with artists, contracts with wall owners, gathering photos, learning about artists, and fund-raising, always fund-raising. It was exhausting at times, but I knew that Exeter had two choices: get cute or die. Although I have never lived in Exeter, I truly love that town! Sometimes people would ask me when I was going to paint a mural, and I’d laugh and remind them that first, I didn’t know how to paint, and second, the Mural Team’s by-laws prevented any of its members from profiting from the project.

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In 2002 I closed my Exeter studio and moved into a little building at home in Three Rivers. This move meant I could no longer be on the Mural Team, but I never lost my interest in the project. Three years ago I started oil painting, last year I learned how to paint murals, and in February of this year I began painting Exeter’s 26th mural.

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Today the town is vibrant, alive, busy, interesting and full of visitors coming to see the murals, the shops and the restaurants. Buildings have been renovated, parks and street corners  and even alleys are landscaped, a gallery and museum have been added, and the town continues to thrive. Other towns in the county have tried to imitate Exeter’s success, but there is a specialness to Exeter lacking in other places. It may be the size, the history, the pride, the level of education, or the combination of all those elements, but in my opinion Exeter is the star of Tulare County.

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Meanwhile, the fund-raising continues. Murals are expensive to prepare, paint and maintain. Exeter, A Festival of Arts has never sought grants, but has generated all its own financial support.  And here is the real question: would you like to participate? Visit Exeter’s murals, and decide if you’d like to join in this worthy project. The Mural Team (I REFUSED to let us be called a “committee”) is using the opportunity of a Mineral King mural to raise more funds. (Don’t worry, I am getting paid with or without your donations.) Contributions are tax deductible. Details on how to donate and an informational letter about the current letter may be found on the Mineral King web site in the documents section: http://www.mineralking.net/documents/ExeterMural.pdf

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Breakthrough!

First published in January 2009
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This little gem is a sneak peak at the Giant Project, known hereon as GP. Why am I teasing you with this? Because I have had a victory and want to share it!  I have been fighting my paint and brushes, trying like crazy to get them to do what I want. I struggle along, wondering if I will ever learn to paint properly, wondering why I can’t get anything to do what I request, wondering why no matter how many hours spent it still looks like a dog’s breakfast.

On Sunday a.m. a bottle of linseed oil appeared on my front porch with a note from my 6th grade teacher. (He signed it “Tom S.” and I thought it was from someone I know here in town because I always think of my 6th grade teacher’s first name as “Mr.”, not “Tom”, for goodness sake!)

Like the good girl that I try to be, I wrote him a thank you note and wondered if I would ever have a use for linseed oil in painting because my earlier attempts at using it have been crap less than satisfactory. It left random shiny spots on the painting which I tried to ignore, and then a well meaning friend said, “I like this painting but it has shiny spots on it”.

Then I learned about some special recipe from the teacher at the junior college where I soldiered through half a semester of a painting class 2 years ago. (I sort of knew he and I weren’t a good teacher-student match when he said to me “The trouble is, you don’t know how to draw!” Okay, thanks for that helpful tidbit Mister, but I am about to have an opening of a solo show of my drawings so your opinion of my abilities is crap less than satisfactory.) Anyway, this special recipe also made random shiny spots and was weird to use, sort of sticky and it made the color too weak, and I could see no point to using it. Maybe if I had stayed the entire semester I would have learned how to solve this problem, but it seemed that staying home to paint was a better use of my time than driving 80 minutes round trip for each class that was mostly just easel time with bad light and bad rap “music”.

Meanwhile back at the ranch, I bravely went out to the easel, determined to master this problem of misbehaving paint and WHAM! into my brain came the idea of linseed oil from Mr. S. (the good teacher who taught me how to draw but denies it saying I already knew. . . go figure! I knew how to draw in 6th grade but somehow forgot through my career of drawing?)

Knowing things on the easel couldn’t possibly get any worse, I tried the linseed oil mixed with the paint and it was MAGICAL! It was fabulous! All I can say is THANK YOU GOD for sending Mr. S by with that linseed oil, even before I knew it was needed so desperately!