
In the olden days when my studio was in Exeter and I was the president of the Mural Team, we opened a little store called the Mural Gallery. The idea was to have a place for visitors to learn about the mural project, take home mementoes of the murals, and for the Mural Team to have some income. Only mural artists were invited to show and sell their work.
This past summer, the store closed for refurbishing. Many of Exeter’s muralists are far away, don’t make lower priced art for sale, are retired, or have assumed room temperature. So, upon reopening, the Mural Gallery invited many local artists (whether or not they have murals in Exeter) to participate. A new option is for the artists to work one day a month in order to lessen the bite that the Mural Team takes from the sales (still much less than a commercial gallery, which starts at 50% and is rumored to be as high as 90% in some cities, no thank you).

I worked one day in October, met some new people, had some customers, caught up with some old friends, enjoyed being surrounded by pretty things while spending time in the town where my studio was located for 9 years, PLUS I finished one of the paintings from Monterey.

When we started the gallery, we didn’t have very many murals or artists to participate, so I did this drawing of Yokuts baskets and had prints made for the Mural Team to sell. I wasn’t a muralist, but we needed merchandise, and when we started the project, I told my teammates that I would do whatever it took to make the project succeed. Those first years were tough—the equivalent of having a second job without a second paycheck, a second job which shoved my business onto a back shelf—but the project made a HUGE difference in Exeter.

Since then, the Mural Gallery has sold many paintings and cards for me. I appreciate them enormously!






Today is my November shift. Want to come say hi?

SIMPLY HOME


Gallery Hours are Friday, Saturday, Sunday, different each day, in the middle of the day. Might want to call first!


Finally, I signed it. Had the same trouble with the heat and the paint consistency on the signature. I would have kept the old signature, but the brilliant periwinkle blue color was just too weird. Now that I see it on this photo, I wonder why I didn’t sign directly beneath the plaque. This might require another visit to the wall, on an overcast day when the brush can retain a point and the paint can retain flow.
I like this because Marty Weekly’s mural “Timber Trail” shows in the distance through the awning. (far right side of photo). Why didn’t Marty’s fade? I’m sure it goes back to the colors I used; in spite of the high lightfast rating, my yellow was most certainly not light fast or fade resistant. This time using different yellows, it WILL last. I insist upon it!








I added a coffee pot to make up for the one I lost. This was all just sort of fiddly stuff, waiting for the tour groups to appear.
The first group came quickly and I didn’t have my camera handy, but Betsy did. Look at all these interested people – what an audience!
Then my buddy Jay showed up. (Yes, I was lost on the wrong mural.) If Jay can drive a Model A, I figured he can back up and turn around a Freightliner. Yeah, sure, I prolly coulda* done it myself, but Jay is a farmer, and farmers can drive anything and do it right the first time.
This was my view of the mural, from the very very convenient placement of the truck for trotting back and forth to see how things look from a distance.



Now that the end is in sight, I am wanting to slow down and detail everything within an inch of its life. In spite of all my lack of confidence, I do feel quite proud of and connected to this mural. Each time I’ve worked on it, I’ve met nice people and built up my skills at muralizing.









So what? Okay, look more closely.
I never heard of this before UNTIL the very day I saw the box. That morning, one of the truck’s owners stopped by and told me the truck is actually owned by Fremont Fruit. Say what? What does this have to do with Botkin Bros.?
The redbud is in bloom, there was a fire in the wood stove (yikes, don’t let the pollution police see that photo), the fake lawn is mowed (weeds, not synthetic lawn), there are flowers, weeds to be pulled, and my one surviving dutch iris is in bloom. Drove down wishing I could stay home, but it was the best painting day I’ve had so far. It never was hot!
This area seemed so small after I finished it on Monday. I felt discouraged.
“Small”? It is about 4 feet wide. It would take me a month to do an oil painting of that size! Buck up, Buckwheat. You are right on schedule.
This snapshot of the old Mineral King store appeared to have lost its shadow. I worked on that for a little variety. It still doesn’t show well, so I’ll strengthen the contrast on another day.
My updated banner arrived and Trail Guy got it ready to hang. It won’t fit on the back end of the Freightliner, so I hung it on the side. I’m flexible like that.
Here is the old banner, acting as a shade device in the windshield of the Freightliner.
When I stopped painting around 12:30, this was how things looked. I felt hopeful that perhaps I will be able to finish it in the estimated time frame of 12-16 days.
I chose a triangular area on the upper left side of the old store snapshot. It helps to define areas to complete so that there is a sense of progress.
It was a day of many visitors, so many groups and pairs that I gave up writing them down. Lots of explaining about the murals, Mineral King, the reason for repainting, Exeter, even talking about why chains are required in Sequoia when there is no ice on the road. And, showing people where the hidden items are.
You can see the bed is sort of tilted, because the curb is about 3 inches higher than the asphalt here. But, I can deal with a bit of a slope, because I am flexible like that.
Look at that – the inner tire is floating up in the air!












