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On the Easels, On the Wall

These are some of the paintings on the easel and drying on the walls around the painting studio/workshop.  I did them for the Studio Tour. After spending an entire year just drawing the cabins of Wilsonia, it was time to paint again.

Always gotta have citrus paintings – what else would you expect from a California artist? These are each 6×6, a very popular size in kitchen art.

These pomegranates are 4×4″. Like the shoes? Ugly as sin, but oh so very comfortable. I thought about cropping them out of this photo, but got lazy. This palette served as a convenient tray for transporting these little wet paintings. The weird circle behind the painting on the upper right is an old color wheel. The palette is a gift from someone whose mother used to paint. Most of my supplies are gifts from people whose mothers and mothers-in-law used to paint.

The yarn in the photo is lavender and blue. I have been on a roll for a couple of years just loving the combination of teal and brown, so that’s what I am making the yarn in the painting. The photo is showing me the twist pattern, the size of the strands, and the way the light and shadow fall. This is called “using a photo for reference”, because out there in ArtWorld, working from photos is met with a lot of contempt.

The Kaweah River is on my list of Oil Painting Subjects To Always Have On Hand. I’ve painted this scene before. This time it is 10×10″ square, and the colors are a bit juiced up, although it is hard to tell when looking at a photo of a photo.

Ditto the Kaweah Post Office. This is the first time I’ve included the monument marker. Painting it on a square canvas got my eye confused, and the proportions were whacky at this stage. I fixed it later.

Careful! The paint is wet on these! The piece of paper is how I keep track of where I am on which painting. I could just look around the room and see, but a list makes me feel more productive and efficient. Never mind that it might be a waste of time to make the list and to keep it current. I’m 53 and I can do what I want. Wait a minute – am I 54? I can’t remember!

The top and bottom paintings sold at the Studio Tour. Time to paint another Mineral King!

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