Ambiguous Oil Painting

(Ambiguous: unclear or inexact.) There’s this 10×10″ oil painting that has been collecting dust and spider webs in my painting workshop for awhile. I’m unclear as to when I began it.

It just hangs there, and after awhile, I stopped thinking of it as a painting. Instead, it was just another thing that the spiders used for support.

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Bottom right – Backcountry Lake. The upper one is on the easels again (because it is a little bit too hard for me), the lower left one is finished. But there hangs Backcountry Lake. This photo was taken in April.

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All 4 of these other paintings have sold by now, and there is old Backcountry Lake, just hanging around in March. Is that when I started this?? My dates are inexact.

Now the time has come to finish this painting. There might be a show coming up to celebrate the 125th (or 100th?) anniversary of the beginning of Sequoia National Park. (I’m unsure of the show, and the dates of the anniversary are inexact in my memory.) I think this lake is in Sequoia, but I’m unclear as to which lake it is since I got it from my friend Kenny and now we aren’t in touch. I’m unclear as to why we aren’t, but no longer have a working email for him. So, I’ll finish it and enter it in the show, if the show happens. But I’m not sure there will be a show.

Wow. Lots of ambiguity surrounding this painting!

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I redid the sky, and then began working my way down the canvas, working from distant to close, which worked out the same as working top to bottom.

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Wowsa! Nothing ambiguous about this now! I’ll tighten up the details on the lower right section, sign it and then paint the edges.

This is unambiguously a clear and exact painting! It was very satisfying to correct the color, heighten the contrasts and tighten up the details. That is the most fun I have had with a painting for a long time.

So there.

Non-commissioned oil paintings

So much to paint, so little time. These are new paintings, begun for the joy and challenge of the subjects, in addition to the confidence that they will sell.

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Mountain quail are shy. We are so fortunate to have 2 pairs feeding in our front yard in Mineral King. Because of the way the window is situated, I am able to photograph these birds more easily than the California quail in Three Rivers.

This bridge is not shy. It is beautiful and proud, knowing it is an anomaly on such a narrow, winding and rural road. We call it The Oak Grove Bridge, “we” being those who regularly travel the Mineral King Road in Tulare County. The sign says “Kaweah River” or maybe “East Fork”. I don’t know, because I am always either looking at the bridge or at the water beneath.

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There is a crazy amount of feathery detail on the bird. No matter how often I paint the bridge, there is a crazy amount of detail on it and on the rocks beneath.

That’s okay. These are not commissioned paintings, so I have time.

Each one is 6×6″. I have been selling that size for $55, but it is time for those prices to go up. The amount of time this sort of detail requires is a little overwhelming. Maybe I should just get a real job.

Nah. . .

Easier a Little Bit Too Hard

That was an awkward title. See yesterday’s title and post about “a little bit too hard” and then maybe this will make sense.

Still a little bit too hard, but not as difficult as The Flower Girl.

This is Grandma’s Creek. It is where my Grandma grew up, outside of Blowing Rock, North Carolina. Oh so very beautiful, and maybe, just maybe, with enough layers I can capture the feeling.

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Blobs, big areas and little “landmarks” on the canvas. Holy cow, why am I doing this when the photo itself is a thing of beauty?

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A bit more detail, beginning in the upper left corner. Leaves can’t be all that hard – I certainly have painted them many times before. But I don’t even know what kind these are!!

Grandma may have referred to a creek as a “branch”. They talk funny in North Carolina, such as saying they will “carry you to the airport”. Wow, they must be strong there!

Never mind.

Back to the easel. . . feeling inspired by beauty, challenged by the subject matter, wanting to excel in my skill as an oil painter.

A Little Bit Too Hard

Sometimes I paint things that are a little bit too hard for me. They are not commissions, nor are they subjects that I think will sell.

Instead, they are things that I just want to paint, in spite of my lack of skill or experience. After I have completed paintings that need to be done for sale, working on these types of paintings is my “reward”.

Wow, is this ever difficult!! This is my great-niece, and I think of the painting as The Flower Girl.

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The girl is from this photo.

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The flowers are from this one.

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The girl feels too difficult, so I am now focusing on the flowers. It is fun to find and mix all the colors, and if I get the petals a bit wrong, it isn’t critical like the face is.

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Success on the flowers (still not finished) gave me confidence to paint a bit more on the girl.

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Her hairbow is better and her arm is a little chubbier. This might need to rest for a month or two while I build my confidence and skill on paintings that don’t matter to my heart quite so much.

 

This will need about 10 more painting sessions, a decision on the background color, and a whole bunch of do-overs.

But I’m learning. That is what happens when one pushes through something that is a little bit too hard.

Okay, it might be a LOT too hard.

 

And More New Mineral King Oil Paintings

As promised in yesterday’s blog post, here are more new (and 2 refreshed) oil paintings of Mineral King, a regular source of inspiration for this Central California artist, also known as “A Regionalist from Quaintsville”. However, when thinking of Mineral King, “Gorgeousville” is a better name!

005 MK Valley 010 Mineral King a.m. 1527 Saw XV 1532 Vandever, MK

From top to bottom: Mineral King Valley, 12×16, $200; Mineral King Morning, 11×14, $175; Sawtooth XV, 6×6″, $55; Vandever, Mineral King, 6×6″, 55.

The titles aren’t clever, but they are accurate. I went ninja crazy (WHAT does this mean??) on the painting end of things, but stayed normal (non-ninja?) on the titles.

New Mineral King Oil Paintings

Mineral King is a continual source of inspiration for this Central California artist. I believe it is one of the best places in Tulare County and probably in all of Central California.

Two weeks ago I went on a focused Mineral King oil painting binge. Might even have been ninja crazy, although I still don’t know what that means. (just like the sound of it)

Here are a few of the results:

1528 Saw XIV 1533 MK Stream 1534 Bear 1535 Marmot

From top to bottom:  Sawtooth XIV, 8×10″, $100; Mineral King Stream, 8×8″, $90; Bear, 6×6″, $55; Marmot, 6×6″, $55. 

All are oil on wrapped canvas, ready for hanging. They are currently at the Silver City Resort, 4 miles below Mineral King (unless they have already been bought and taken home with people of disposable income and excellent taste.)

There will be more – stay tuned for more new and refreshed Mineral King oil paintings tomorrow!

A Business Trip to Mineral King

The last time I was in Mineral King, I did almost nothing. Accomplished quite a bit of knitting, but went nowhere and did nothing else. Read a little. But went nowhere.

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The shadow beneath the bridge was nice. This photo has been enhanced, because the reality is that there is mostly brown, brownish gray, and brownish green in the scene. California is very brown, including the governor. Brown, brown, brown.

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Sawtooth looked quite fetching on the way up the hill. (It is gray, not brown.)

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There is some subtle color (enhanced browns?) on Vandever, which is the right half of Farewell Gap.

Each of these photos will make a decent painting, particularly if I juice up the colors.

Hey! I did do something. Gathering photos for future paintings is something. In fact, I think it must have been a business trip!

 

Hail and Quail in Mineral King

Because it was almost a non-winter, we had early access to Mineral King this year. However, it didn’t act very summerish in those early weeks. (You may recall our cold, gray, overcast, foggy and rainy Memorial Weekend.)

Two weeks later I was back, and had an exciting afternoon in the cabin.

Is this hail??

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It is, but the mountain quail doesn’t mind. Wow, it really piled up out there!

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It cleared up for an evening stroll, so we got to see the alpen-glow on Empire (this is the rock outcropping, not the highest part of the mountain.)

 

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Despite our lack of precipitation during the so-called “winter” of last season, these spring storms are providing water, for which we are very grateful.

 

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Hail remained on Sawtooth for much of the next day.

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If a bit of judicious pruning was done, the point of Sawtooth would be visible in this view. I have made it visible with pencils several times (all sold, no records, sigh.) I think of this as Tim and Judy’s view, because they were married close by 19 years ago. (or was it 21 years??) We’ve lost touch with several moves and 3 adopted children later, but they will remain forever in my heart.

Maybe it is time to paint this scene. Mineral King provides an endless source of inspiration.

Related link:

Mineral King opening weekend

 

Hiking in Mineral King

While I was painting diligently at home in Three Rivers, Trail Guy, who is retired, was hiking in Mineral King. He now has possession of the little camera that I used to carry around, so he documents his hikes for me to share with you. Or maybe he does it simply to share with me? Whatevs. Here are some photos from a couple of forays in the earlier spring months.

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Trail Guy met a couple of guys from Germany. If he told me their names, I forgot. How about Gunther and Rolf? This was on the way up toward Farewell Gap.

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Isn’t it cold and gray here? Brrrr.

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It is actually a great time of year to see stuff when all the growth is low and the bears are out.

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Hi, Bear.

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Pussy Paws! (and some sunshine)

 

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Marmot!

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Evidence of human habitation, back in the mining era of Mineral King

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A splendiforous view from the Timber Gap trail. Trail Guy has a couple of loop hikes that he repeats several times over the course of a summer. This one is the Empire loop.

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And this is the view I used on my first big mural in Exeter, called “Mineral King: In Our Backyard” (named by Trail Guy, of course!)

Related Links:

Mineral King: In Our Backyard

Empire Hike

More Opening Weekend in Mineral King

Mineral King was overcast, cold, rainy and foggy on opening weekend this year. Guess it makes sense to get March in May since we had May in March.

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What’s a Central California artist to do? How about read, knit and discuss colors? I said blue, Michael said purple, and neighbor Annie said purplish blue. (Discussing the yarn color with a purple glasses case thrown in for comparison.)

 

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How about a some bird watching out the window? Down the hill we have California quail and scrub jays; up the hill we have Mountain Quail and stellar jays.

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Is the sun starting to break out? Let’s go see!

Mineral King in fog

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Reminds me of a couple of paintings! Mineral King is definitely a major source of inspiration behind my art.

Well, oops. There seems to now be a tree missing from this scene.

Farewell Gap XVII

Farewell Gap XVII, oil on wrapped canvas, 8×10″, $100

1513 Honeymoon XX

Honeymoon Cabin XX, oil on wrapped canvas, 8×8″, $90

Relevant Links

Cabinart landscape oil painting