After I recovered from the enormous overload of photographic input, I sorted the photos by lake. Then, I realized the only historical photo of a dam that I had readily available (thanks, Louise!) was of Franklin. That caused the decision to be easy. The mural team requested the addition of mules, so I had to chase down an old photo from which to paint. I know many resourceful people with lots of history in Mineral King, so finding a photo wasn’t too hard. (thanks, Cathy!)
The most important information I needed before beginning the design was the wall dimensions. Those numbers showed me the proportions of the design, and allowed me to see how big the picture needed to be in order to have a human look the right size while standing in front of the mural. I decided 5′-6″ was the average height and found that spot on the scaled down version of the wall. Then I spread out all my photos. After I saw how many there were, I might have had to go into the house for a knitting break and a bit of chocolate. (But I can quit any time I want.)
There were many more than this, but you probably get the idea without having to see them all.
The new mural has been in the planning phase for over a year. It was requested that a mural be painted to the correct scale so that a person can stand in front of it and appear to be at the actual scene. To do that, I had to have people with me each time I visited a lake with a dam. There are 4 lakes with dams out of Mineral King. I knew that Eagle Lake most likely would not make a good candidate, so I only visited the other 3. My friends and family know that I am always working – thinking, planning and designing – so they have become accustomed to participating in rather unorthodox ways upon request. Here is Phoebe at Crystal Lake:
It is a fabulously beautiful place, and it might have worked for a mural. The dam is on the lower of the 2 lakes, and we all (Michael, Phoebe and I) prefer upper Crystal.
Here is Michael on upper Monarch Lake:
This lake is sort of hard to get to since there isn’t an exact trail. It would be good to know how the mules carrying all those sacks of cement got there!
This is the other JB at Franklin Lake. We were there in late August, and by then, I knew this would probably be the best candidate for a mural that could meet the specifications. It has a trail leading directly to the dam and there was a great photo available of the building process in 1904.
Finally, I can tell you about my upcoming big project! It is Exeter’s next mural and will be located directly across from my other mural. This one is about 1/3 of the length of the other. The subject is Franklin Lake and the Mount Whitney Power Company, which was the precursor to Southern California Edison and had an office in Exeter. (It is now the Exeter History Museum.) Our projected projection date (tee hee hee) is Thursday, June 3. Stay tuned for further details. . .
Mount Whitney Power Company dam under construction at Franklin Lake, Mineral King, California, 1904. Thousands of pounds of cement, sand, rock, wood forms and construction supplies were hauled by mules to early 1900s power company dam projects. (from The Mule Men by Louise Jackson)
Back when the mural project began in 1996, I had no intention of learning to paint. There was a vague distant dream with no tangible plan for getting there. The dream was painting a mural in Exeter of Mineral King but much had to be learned first. So, learning to paint with oil, getting better at landscapes, then gradually increasing the sizes of my paintings became the plan. After getting comfortable with a paintbrush, I had to learn to use acrylic paint. It is not as easy for me as oil, but I’m catching on! 
Notice anything different about the title? It is significant, meaningful, symbolic. Today Betsy and I sat together and studied the mural, quarter by quarter. I filled 4 pages of little things to fix. They were easy. It involved moving the truck back into position, which would have been difficult if Larry hadn’t acted as my ground crew and rearview mirror! (THANKS, LARRY!) I did them all, including mixing a color to match the bricks so the weird white patches could be covered! Here is the final finale:
This part wasn’t all that easy – a paintbrush is NOT a pencil. I signed once, blotted it all out, chose my remaining brand new brush, and signed again. After viewing all the murals in Exeter, I chose to not include my website (it appears if one googles my name), nor my phone # (I’m in the book), nor the copyright (it is owned by Exeter, A Festival of Arts), nor the year (it will be on the title plaque). There was a moment of hesitation – should I write cabinart beneath my signature?? Nope, I only do that on pencil drawings and this is a painting. Less is better than more – so just my name, the whole name and nothing but the name, so help me God. He did, believe me, He did!! Amen.
. . . is sold out! If you are one of the lucky ones to have a ticket to this very enjoyable event, you will not be sorry. The Garden Parties I’ve been to in the past have been wonderful – nice evening outside in Exeter (no mosquitos there!), good food, great auction items, nice music, fun conversations, all around very pleasant evening.This will be auctioned off. I will probably have my hands over my ears, or perhaps my thumb will be in mouth.
It is an 8×10 oil painting on wrapped canvas with no frame. The title is Honeymoon Cabin III or perhaps Honeymoon Cabin IV. The money will go Exeter, A Festival of Arts. This is the only place I give artwork!
Another day of many many visitors. I am now dragging my brush because I don’t really want it to be over yet! I “helped” Dora with her computer for awhile (yeah, right) and spent some time just staring and adding a thing or two and dinking a bit here and there. Mr. Stroben and his wife came by. He offered a few suggestions, which I greatly appreciated. Tom D. came by and wanted to offer some last minute suggestions. I forced a brush into his hand and will show you his contribution to the mural! Mike M. came by to visit, and I was moaning about my stupid brushes and irritating acrylic paint that will not behave like pencils. He handed me 2 very tiny brushes that he happened to have with him! Isn’t that a hoot?! LJ came by and helped me understand the contours of the mountains underneath the plain white patches of snow so that I can add some depth to them. Shane stopped by and a learned a bit of history of Mineral King and the basic differences between the National Park and the National Forest services. Here are the photos from today:
This probably doesn’t look any different to you, but it is new and improved. Part of the improvement was due to the extraordinary skill of emerging artist Tom D. Can you discern which 2 are his squiggles? (the color is terrible in this photo but is nice and green on the mural)
This may not look any different to you either, but I can assure you it too is new and improved (but not lemon scented). You need to see it in person to appreciate the detail. As usual in my art instruction history, Mr. Stroben was right. 😎
Today was a day of many visitors. The most welcomed one might be LJ, my painting “coach”. We discussed the detail around Sawtooth, so I decided to drive there. (How many of you can say you have driven to Sawtooth??) With her help, I greatly improved the area from Empire to Mineral Peak, sorting out the rocks and ridges, adding shadows, erasing lines that don’t belong, and this is how it looks now:
See how it was back in February??
