Sequoia Mural Complete

Doesn’t that sound like a terse newspaper heading?

The Sequoia tree mural of a section of the Parker Group on one of my ridgey garage doors is now completed. Maybe. I signed it, but when I live with a piece of art, little corrections ask to be made. So, is it finished?

I spent 18 hours painting this in about 7 different sessions, the longest of which was 4 hours. Of course, I might keep fiddling with it, so there may be more.

If a customer wanted this exact mural on this exact surface and this exact size and I didn’t have to drive more than 1 mile to paint it (definitely rounding up because I drove no where to paint this), I’d charge $700.

I knew you were dying to ask, but there is this weirdness about art prices. . . the old “If you have to ask, you probably can’t afford it.”

No worries. The truth is what is spoken and written here and no one has any reason for embarrassment when he doesn’t know something. This California artist who paints Sequoia trees just wants to help you.

Tiny Change

When I am painting a mural, every time I look at it I see things to fix, change or improve. When I live by the mural, this can add up to a lot of looking, fixing, changing and improving.

The change I made was that the sunshine behind the big trees was so light that it looked like snow. I changed the color from Brightly Lit Dirt to Less Brightly Lit Dirt. Hmmm, do you think that is a real paint color? It is in my studio, and shouldn’t be confused with the color Trail Dirt, which I ran out of or perhaps used as a base for Medium Redwood.

Can you tell the difference? Not sure I can either, but we’d certainly know if the light was too bright behind the tree. We are all fairly skilled at noticing what is wrong in the midst of lots of rightness. Think about a perfectly vacuumed floor with an orange peel on it. You’d certainly notice the orange peel before the vacuum tracks! So, that too bright paint was sort of like an orange peel.

Never mind. I might be a little low on sleep or something.

You May Slow Your Horse Down Now

For awhile, I’ve been advising you to view my Sequoia mural from the back of a fast horse, preferably at a distance. I’m beginning to think that it might be okay to slow your horse down now, but distance is still an advantage for best viewing.

Getting better with each session. This is the result of 15 hours up and down a ladder. You’d think I’d be quite fit by now. Have another think. . .

The ridges aren’t quite as visible in this photo.

I have a few decisions to make about this project. . . add a human? Will she be the right height? Will the ridges and my inexperience painting humans make her look like a freak? What shall I do in the hard to figure out spaces behind the big trees? How will I put light on the ground behind the trees without it looking as if there is snow? How will I be sure that the traces of snow at the bases of the trees do look like snow? Does there even need to be snow?

That’s sort of overwhelming. I think I’ll just turn away from the mural and see the view behind me.

More Sequoia Mural on a Ridgey Garage Door

This is the current level of the mural. More accurately, this is the current version that I have to share with you. Perhaps you live in my neighborhood and have driven by between the writing and the posting of this post. Then you, my neighbor, will know that the progress is even more progressive. That will be our little secret, okay Neighbors? 😎 And, you will know that the ridges show up much more distinctly in these photos than in person. Still best viewed from the back of a fast horse at a distance.

And the Paint(ing) Goes On

The Sequoia mural on a ridgey garage door continues. Here is what my view looks like while I am painting:

The horizontal blue line is so I can tell where I am. It is the center from top to bottom.

I don’t know exactly what I am doing when I am this close to the wall. That is why I am continually climbing up and down the ladder.

This guy doesn’t know what I am doing either:

The Slow Sequoia Mural

Slowly inching along, climbing up and down the ladder, walking to the end of the driveway and back, studying, scrutinizing, evaluating, analyzing. I have to live with this mural, not just drive past it occasionally, so it needs to be really well done. Besides, it will be advertising for murals during the Studio Tour.

One ladder for climbing, the other for use as a platform for paints. The progress is incremental. Can you see it from photo to photo? I’m looking forward to being able to paint while standing on the ground. It is so much easier to back up and see how things look when no climbing is involved.

Wow, those ridges sure do show up. I don’t think they are quite as noticeable in person as they are in the photos.

Pretty neat-o from a distance, but there sure are lots of murals at this place. Looks sort of billboardy, or maybe a bit overdone, perhaps? Nah. Besides, it is MY house, I’m FIFTY-FOUR YEARS OLD, and I’ll have as many murals as I want. I can quit any time, you know. It’s not like I’m covering EVERY space. Besides, I can always paint them out.

There is still the garage door, which consists of mismatched panels. I told the repair guy that I didn’t care whether or not the panels matched because I planned to paint a mural. That was before Trail Guy suggested a Sequoia mural on the other door.

Never trust an artist with a blank wall.

Paint Slowly

Two of my neighbors have requested that I paint slowly.  They want to enjoy the process of seeing a mural develop.

With this mural of Sequoia trees on a ridgey door, I don’t have a choice. In my head the thing should be going quickly, but reality is much different.

I climb down the ladder and squint and study. It needs more light here, more detail there. I climb the ladder and then can’t figure out where the light and detail were supposed to go. I climb back down and look again. Hmmm, three ridges down, more light. More detail on the top ridge and on the 4th ridge, crossing down onto the 6th ridge. Climb back up the ladder. Add the light, and forget where the detail was needed. Climb back down, oh yeah, that’s right, climb back up, and now my brushes are all dried out. Climb back down and get them cleaned up a bit in water. Climb back up and wonder what I was supposed to do. Realize the color I need is dried on the palette, Climb down the ladder and pour more on. Squint up at the mural and see another area needs attention. Move the ladder, climb up and try to GET SOMETHING PAINTED!!

Please excuse me for shouting. This should not be so hard.

Okay Bob and Katie, I’m a slow painter for sure.  And Katie, thank you for the blog post idea!

Sequoia Mural on a Ridgey Garage Door

First, I mixed my main paint colors, using the primaries.

That weirdo greenish yellow (or yellowish green) is not a primary, but is an example of a color that is easily mixed using red, blue, yellow and white. Isn’t that UH-MAY-ZING?? Still thrills me. I actually use 2 different reds and 2 different blues.

First, the barest hint of where things will go. This is probably meaningless to you, but I wanted you to see how the process works.

Because I paint from back to front, the sky color goes on first. Very little sky will appear in this mural, but it provided edges for the Sequoia trees. Then I climbed off the ladder and stepped back to see if the beginning marks were the right size and in the right place. (Notice I did things in the proper order – first climbed off the ladder and second, stepped back.)

Now are you getting the idea?

The photo that I’m using partially shows in the bottom of this photo.

These ridges are making it REALLY REALLY hard to paint.

Not having a scaffolding or a platform is also a hindrance to progress. Not complaining; just explaining in advance why this one may take a long time to finish. It will provide some fun for my neighbor Bob when he checks his mail every day. He told me that he hopes I don’t finish it too quickly!

Because moving the ladder is interruptive, my plan is to finish the upper parts first. As a right-hander, I find it easiest to work from left to right. In spite of working from the top down, I found it helpful to locate the bottoms of the trees and lay in the shadows.

The colors I mixed (or remixed or added to from a previous mural) were:

  1. Dark redwood
  2. Medium redwood
  3. Light redwood
  4. Dirt in sun
  5. Dirt in shade
  6. dark green
  7. olive green
  8. sunlit green

To quote Trail Guy, “Boy, those lines sure show up.”

Thanks, Captain Obvious.

No Longer At Loose Ends

Now that the drawings for The Cabins of Wilsonia are finished and the book is in its first review session, I’ve been sort of wandering aimlessly. Organize a little, paint a little, work on the blog a little, procrastinate a little, wonder what to do.

Suddenly I have a big list:

  1. Finish painting the outbuildings
  2. Begin the new mural
  3. Oil paint for a 2015 calendar
  4. Oil paint for Colors, a local gallery
  5. Oil paint to have things to sell during Studio Tour

What’s an artist to do??

Clearly, there is plenty of work to be done yet.

Perhaps I should move these paintings into the house near the stove so they will dry.

Nah. I think I’ll start the mural.

Come back tomorrow to see the progress!

Upcoming and Not Upcoming Murals

Last fall I got a call to visit a place in Visalia and discuss a mural. I was very eager to do this mural because I know and like the business and because the subject was citrus. The ideas were flowing, so I did a couple of sketches and gave them several bids.

(FYI, I generally bid a mural based on size, the same way I price my drawings and paintings. The reason for multiple bids is so they could have me paint it all at once or do it in three sessions, whatever fit best into their budget.)

In December there was a hard freeze. It did big fat damage to the citrus crop and the trees and the farmers and the industry and the business who planned to hire me.

Bummer. No citrus mural for this artist this year.

What’s a California artist to do?

Paint Sequoia trees, that’s what.

I think this will look pretty fantastic on my garages.

Too many areas here for you to know just which one I mean. This door:

Yes, it is all ridgey metal, but I can do this. No sign that says “Parker Group” and sorry, no Brianna either. I’m fairly comfortable with citrus, Mineral King scenery and redwood trees, but little people are beyond my skill at this time.

No time frame, but it would be good to have it finished before the Studio Tour, March 21-23. Of course, if we get lots and lots of rain I won’t be able to paint the mural. That would actually be a better outcome than continued drought with a mural.

But why did I spend all that time and paint turning it dark brown if I planned to paint a mural there?

I didn’t plan it. I planned to have dark brown doors so they wouldn’t show up. Trail Guy suggested the mural, suggested the subject and chose the photo.

Can’t say no to Trail Guy!