Back to Giant Forest or Too Many People

I went to Sequoia National Park twice in October because this place attracts people from all over the world, and it is ONLY ONE HOUR FROM THREE RIVERS!! I don’t go very often because we go to Mineral King, another fabulous part of Sequoia. But when Mineral King isn’t accessible, why not go to the main part of “The Park”, as we refer to it here in Three Rivers?

On Saturday, October 28, I was supposed to go to the Native Voices exhibit unveiling at the Three Rivers History Museum, but this lovely opportunity presented itself. (Besides I thought there would be too many people at the museum.)

Trail Guy and I headed up the Generals Highway with The Farmer and Hiking Buddy. Because we were with other people, I didn’t keep calling for a pullover to take photos even though the dogwood were really getting their fall colors. I have enough photos. (Maybe.)

Climbing Moro Rock is unmatchable in its awesomeness. There is this little nagging thing in the back of my mind that says one day either my feet won’t let this happen any more or The Park will decide that it isn’t safe and just shut it down. That would be tragic.

This time I didn’t take any pictures on the way up. (There were too many people.) What I find surprising is that each time I go, it feels unfamiliar, as in, “I don’t remember this stretch of steps”.

The smoke from the fires in Redwood Canyon was much stronger than 2 weeks previous.

Sawtooth is visible from the top of Moro Rock but none of the signs on the route up Moro Rock naming the peaks go that far south.

A week or so earlier, I learned about the Marble Fork bridge, just beyond Lodgepole. I’d seen it many times, but never paid attention because the Clover Creek bridge is bigger and more noticeable. The Marble Fork bridge has lots of parking, picnic tables, and easy access to the water, but not too many people. Why don’t more people stop here? Because it isn’t highly publicized or signed. Look at this fabulous piece of rock construction:

Look at this little fire tipi; there were several, because the Park has been doing mechanical thinning.

We drove to Wuksachi, with the intent to explore some of the trails around the large area. This was developed in the early ’90s to take pressure off Giant Forest; there are still at least as many people in Giant Forest. It has the museum, big parking lot, the Moro Rock/Crescent Road and all are the first area you come to that feels as if you have arrived.

Wuksachi had tremendous plans for expansion. More lodging, perhaps some little cabins were planned, but nothing has come to fruition. It has three sort of Motel-6-ish units, and a giant lodge (why “lodge” when there are no places to stay in that building?) with a gift shop, lounge area, bar, and restaurant with giant windows and a fireplace.

Wuksachi doesn’t have any redwood trees, and a lot of the area around has been burned. It has many meandering trails, lots of rustic bridges, and it connects to a trail that leads to Lodgepole or Twin Lakes. I’d never been on those trails, and didn’t know Clover Creek ran nearby, nor that you can walk to Lodgepole from Wuksachi. (We didn’t.) This bridge caught my eye because it looks as if it has been there for awhile, rather than the new (from the 1990s) ones throughout Wuksachi’s grounds.

Looking downstream from the bridge, I saw berries that were new to me.
They looked like pyracantha berries and tasted incredibly foul. (No, I didn’t eat one—just put my teeth in one briefly to see what it was like.)

Instead of eating at Wuksachi’s Pizza Deck as planned (too many people), we ate our backup picnic lunch on some abandoned and mostly broken picnic tables off in a sunny place. There are lots of large outdoor storage areas, probably intended for parking lots or more lodging, and they definitely didn’t have too many people.

Then we continued exploring on foot, and I was attracted to other bridges. This one was a driving bridge; the light didn’t seem right for good photos on those other footbridges. (I might need to go back again.)

There is still some road construction on the Generals Highway. On the way down we hit a red light beneath some black oaks with a few leaves beginning to turn their golden fall color.

We were hoping to look across the canyon to Admiration Point and then use binoculars to see if the Colony Mill Ranger Station is still standing.

I didn’t take a turn with the binoculars because I saw penstemon in bloom. Penstemon in late October?!

Admiration Point is across the canyon. I haven’t circled it on the photo; just know it is there.

Thus we conclude another day of not painting or drawing. Next week perhaps I will be more productive, artwise. But sometimes an artist needs a few field trips to refill the well.

When I Get Older. . .

“. . .Will you still need me, Will you still read me, When I’m sixty-four?”

Because I am now.

Neither Trail Guy nor I had been to the main part of Sequoia National Park since before the fires (2020, 2021) and flood (2022-2023).

I love to climb Moro Rock, so that is how I chose to spend my birthday. The burned parts of the Park looked terrible, but the road is great and the unburned parts are beautiful too.

Enough yammering. Here are some photos.

Lots of steps to climb
We see Alta Peak from our house in Three Rivers so it is fun to see it closer from Moro Rock.
The red oval is circling two almost invisible plumes of smoke from the current fire at Redwood Canyon.
It looks as if the stairs end here, but if you make a sharp right, they keep on aclimbin’.
On the way up and at the top we heard an English accent, several languages we didn’t recognize, and what I think was Korean. Everyone was polite, helping each other out with photos, moving aside on narrow places.
One last look up.

Crescent Meadow was our next destination.

The road there passes the Parker Group, which is a great source of sequoias to paint, along with Tunnel Log, which I’ve also painted several times.

Tharp’s Log is an interesting spot, just about 1/2 mile from Crescent Meadow. I like seeing the human history in national parks.
It is rare to see the needles from a redwood/sequoia tree because they are usually so high up in the sky that you can’t tell what they look like. This time I kept my eyes open for a baby redwood, and voila! here it is. The needles look fluffy compared to pines, firs, and cedars. (They aren’t.)
I took this through the windshield on the way home when traffic stopped. Four Guardsmen is often a traffic stopper. Apparently people forget how to drive when they are in a national park.

The day was an experience in nostalgia. Trail Guy used to be Road Guy, with 37 years of working for Sequoia. Things now look different, because things are done differently than when he retired 11 years ago. Some are an improvement, and some in the category of Are You Kidding??

It was also a day of comparison. Seemed like Moro Rock’s steps were a bit steeper than remembered, and the handrail seemed a bit lower. The Generals Highway was infinitely better than the Mineral King road. The trails were mostly paved and certainly much flatter than in Mineral King. We talked to someone from Germany, someone from Ecuador, and heard many languages that we could not identify. There were lots of people, particularly for a midweek day, AFTER Labor Day.

What a great way to spend a birthday! And, although I wasn’t driving Fernando, it was a business trip because I got a few more photos for painting from.

In conclusion, “Will you still need me, will you still read me, when I’m sixty-four?”

Because I am now. (But not losing my hair—growing it, actually, to save in case I do lose it!)

A Birthday Walk

On Trail Guy’s birthday, we went to Hospital Rock in Sequoia National Park, which is as far as people are allowed to go right now. It has been about 2-1/2 weeks since the last storm, but the road isn’t cleared because the equipment is broken and there aren’t enough operators or mechanics. At least that’s what they say. When Trail Guy was Road Guy, there were no excuses—the road was kept open, no matter what. Period. No time-off. Sigh.

Fretting over the present is not why we are here today. We are here because there are sights to see, such as this ugly burned area.

Moro Rock as seen from Hospital Rock; steps go up the side you cannot see from here. Advertisement: I have a pencil drawing of this, available as a reproduction. Might even still have the original buried deep in a file.

This elderberry shrub survived the fire.

Castle Rocks: if you look across the middle fork of the Kaweah River from atop Moro Rock, you will see these distinctive rocks. Or you can skip the climb and take the Moro Creek Road to see them, as we did, especially when the Park is mostly unavailable. 

California bay laurel trees make bay leaves, the kind used in cooking.

We walked up the Moro Creek Road, which takes you to the Middle Fork Trailhead.

I love me some green.

That footbridge down there is called the Buckeye bridge because you get to it through the Buckeye campground. A long time ago, Trail Guy was part of the crew who rebuilt the bridge. A big flood took it out the following winter and it had to be rebuilt yet again. (He wasn’t part of that rebuild.)

Alta Peak’s elephant is at a more oblique angle than the way we see it from Three Rivers.

The green arrow points toward Alta Peak; the blue oval is around Triple Divide Peak (separating 3 drainages: Kings to the left/north, Kaweah to the west/toward us, Kern to the right/south); the red oval is around Mt. Stewart.

Heading back, looking down toward the valley.

In addition to loving green, I love me a good stone wall.

And thus we conclude our birthday walk of 3.3 miles in the foothills of Sequoia National Park, just above the little town of Three Rivers, in Tulare County, California’s flyover country.

Sincerely,

Your Central California artist who takes walks instead of painting or drawing these days but plans on getting back to work eventually.

 

Christmas Ornament Story, Chapter One

I’ve told this story before, but hope I have new readers since that original telling. Here goes. . .

In August of 2007, I was asked to paint an ornament for the White House Christmas tree, representing Sequoia National Park. My first thought was to moan, “Not another freebie”. An invitation to a White House reception would come with the ornament, and I thought, “So? That’ll be expensive”. A friend said I would be nuts to turn this opportunity down, and then Michael said he’d be happy to come to the White House with me. So, I began painting. (You can see that my painting skills have developed since then, but just be polite, okay?)

At the time the call came, I was working on a painting of Sequoia trees in the snow.  I got a few little ornaments and tried the same design on one in acrylic paint, but it dried way too fast. I tried oil paint on another, and that was better.

Eventually, a large shiny gold ornament arrived. It looked like glass, and I was afraid of dropping it. I put layer after layer of white paint on it, carefully handling it as if would break, because if that happened, what would I do?? During one of these layers, my thumb dented the thing a little bit and I realized it was plastic! That eased a bit of worry. When it was finished, my neighbor took photos of me holding it so that the size would be evident.

(This was pre-bangs and pre-gray hair too. Remember to be polite.)

You can see this is no ordinary ornament – it was very big, which made it much easier to paint than my little practice ones.

There was a little difficulty about the reception because no date was given, and various reservations needed to be made. We painters were given a fax number to send any questions, so I faxed a note asking the reception date and how tight the deadline for mailing the ornament was. As I was frantically trying to program in the fax number so a response could be received by my fax machine, the phone rang. “Cabinart, this is Jana”, I answered. “This is Bob at The White House”, came the response. “Hi Bob,” said I, ever so casually. To be continued. . .

Chasing the Big Trees and Dogwoods

We (Trail Guy, Hiking Buddy, and Mr. Hiking Buddy) joined in with the madding crowd (I don’t know what “madding” actually means, but I liked the book and the movies “Far From the Madding Crowd”) and visited the main part of Sequoia National Park.

I wanted to see the dogwoods in their autumn colors and gather more photos of the big trees, AKA Sequoia Gigantea AKA Redwoods (Redwood High School, Class of ’77, yea for us). It was a fun day, but also smoky and crowded up there.

Smoky – this mess is coming over a ridge or two from a lightning fire in the Camp Nelson area.

Dogwood is a tree that blesses us twice – flowers in spring, colored leaves in fall. This is by the Crystal Cave Road.

Crescent Meadow

A fallen giant next to a midget man.

We walked on top of it and the midget man became Trail Guy, who helped us get down off of the big tree.

Woodpeckers go after redwood trees??

Tharp’s Log as it appeared when we approached it from a different trail.

I’ve painted this fence (not itself, but oil paintings of it) several times.

This big tree fell recently and its roots landed on a boulder.

This is the brightest one we saw.

It is tricky to find colored dogwood with redwood trees nearby, good sunlight, and a turnout off the road all together.

The colors were brighter in person.

Dogwood berries?

Remember to contact me if you bought a 2019 calendar in person – if you bought it through the website, I have your info already.

Non-boring White Flowers

Have you heard me say that I think white flowers are boring? There are a few exceptions, and dogwood is one of them.

Have you read Pilgrim at Tinker Creek by Annie Dillard? It is considered one of the classics of tree-hugging literature. In it, the author mentions a “tree of lights”. I am just sure that she is referring to dogwoods!

I recently went to the main part of Sequoia National Park for an afternoon, and both the yucca and dogwood were in bloom. These flowers are not boring at all; I only photographed the dogwood because there were no places to pull over for good photos of yucca. Yuccas? Yeah, those, plural.

This is dogwood. It is a tree with fabulous white blossoms that my dad used to refer to as “fried eggs”.

I went with the owner of Hot Wheels, and SHE LET ME DRIVE HER CAR!! (The rumbly engine, smooth handling and coolness made up for the automatic transmission.)

Dogwood grows at the same elevation as redwood trees.

Crescent Meadow road is a good place to find dogwood. They aren’t around the meadow, but are along the road.

What’s that red shrub off on the right??

Why does the red shrub look brown at this angle?

Obviously this flower will become a berry, but I have no idea what it will be.

Now the red shrub is looking red again. Might be some sort of willow – it is growing along a little “crik”.

Wait. This post is supposed to be about non-boring white flowers. Here, have another look at a dogwood. I have painted these non-boring white flowers and will again.

Redwoods, Again

The three small redwood oil paintings are completed and for sale at Anne Lang’s Emporium in Three Rivers (or you can contact me directly.)

Sunny Sequoias XXX, oil on wrapped canvas, 6×6″, $60 plus tax

Sunny Sequoias XXXI, oil on wrapped canvas, 8×8″, $100 plus tax

Sunny Sequoias XXXII, oil on wrapped canvas, 6×6″, $60 plus tax

But wait! There’s more (in progress). This is 11×14″. The canvas began with a portrait of a stranger in a workshop; it was too hard for me, I didn’t know the person, I have no plans to become a portrait artist, so bye-bye, Stranger Face.

Redwoods and Reality

I had an extra peach painting that was going to become an orange, and then after a reality check, it got turned into redwood trees. This is Three Rivers, gateway to Sequoia National Park, and I need to have paintings of sequoia trees.

Sequoia Gigantea = redwood = Big Tree. I went to Redwood High School so “redwood” is the name that comes most automatically.

Here are the paintings drying on the pegboard/chalkboard. I had to photoshop out a bunch of phone numbers from the background before I accidentally publicized my personal phone directory. This is how we do things when we don’t have cell phones. And no, it didn’t say “For a good time call. . .”

Why don’t I just photoshop the redwood trees onto the canvas??

Forget it. I’m an oil painting Central California artist, not a computer chick.

A Field Trip to Sequoia

Today I begin refreshing the largest Mineral King mural in Exeter (North of Pine, West side of E Street, South side of Capella Coffee)

Tomorrow I’ll show you today’s work on the mural.

Meanwhile, you can enjoy some photos of a recent half-day field trip. Trail Guy and I went to Giant Forest in Sequoia National Park for a little cross-country skiing. It was the day after a cold storm, and it was clear, cold, and beautiful.

 

View out the window of the dining room at Wuksachi Lodge

View out the window of dining room in Wuksachi Lodge

Front porch of Wuksachi Lodge, Sequoia National Park

 

Life Source, Pencil Drawing of Water

Life Source, original pencil drawing on 9×12″ archival paper, unframed, SOLD

“Life Source” is the title of this pencil drawing of water. It is the base of the waterfall at Hospital Rock in Sequoia National Park.

A couple of weeks ago, I got an email from a friend that read, “Highest priority today should be looking at clouds. Any chance for a ride?”

I responded, “Forget clouds – let’s go find roaring water!”

So we went to Hospital Rock and took some photos and relished the sound, the fury, the constancy, the changing light, the power, and even the snow flurries that came down as we made our way back to the car.

Here is how the waterfall looked that afternoon. I also found plenty of inspiration for other water drawings.