Many Happy Returns (and some not quite as happy)

If you can’t see the photos, go here: cabinart.net/blog

Three Returns

One advantage (and disadvantage) of being in the art business in the same county year after year after year, is that sometimes your art gets returned to you. Some are happy returns, some are hassley returns.

The circle is a sign, painted by me about 10 years ago. The customer was happy and now the disintegrating sign needs to be replaced, larger this time.

The citrus art was for sale at Farmer Bob’s World, and nothing sold. The customer wasn’t happy, apparently. (Who was the customer? No one.) I am happy that I can sell it in a place with greater visitation.

Many years ago when I began oil painting, a friend (because almost everyone in Tulare County is a friend, unless he is a friend of a friend) bought this painting. That friend has moved on to his reward, and the painting was given to the Mineral King Preservation Society. The MKPS brought it to me because it needed a little attention after all these years. This is not a happy return because my friend is gone, but it is a happy return because I can spruce it up.

Interruption: What is Pippin Doing?

If This Ever Gets Returned…

The customers presented this painting to the happy recipient, who got a little teary-eyed. He and I have many things in common, and we just chattered away about various aspects of this painting, such as how the idea was conceived, what exactly is in it, why I left some things out, and how much we love this view. He is sort of like anutter brutter from our utter mutter. (And if this painting gets returned, I’m hanging it in my house!)

No More Return

I returned to this colored pencil drawing. The original concept was to only use the 24 Prismacolor colored pencils in their limited set. Those stupid pencils kept breaking, so I started using lots of other colors too. It reminded me of one of the many reasons I quit using colored pencils.

I doubt if I will be returning to colored pencils any time soon.

Not Returning This Either

About a year ago after a whole lot of trouble, I finally bought a mini fridge for the painting workshop. The freezer is where I store my oil painting palette, a convenient luxury. The big box store was TERRIBLE to deal with. A few weeks ago when I retrieved my palette, it was HOT inside the fridge. Sigh. I unplugged it, pulled it off its pedestal, propped the door open, and now I have to figure out how to get rid of it. I am NOT going back to the extremely inept, incompetent, undertrained, understocked, understaffed, and apathetic big box store. Instead, I will consider it one year of luxury, now both a memory and a hassle. (Learned in June 2021, #10)

The Best Version of the Classic Mineral King Scene, Ever

We cannot get to Mineral King just now. It probably looks like it did last year at this same time.

So, let’s just reminisce about better times and look at this important painting I recently completed. Can’t share any details as to why it is “important”, but I can show you the steps. I want this to be the best version of this scene that I have ever painted.

I began the painting while in Mineral King. The idea was to size and place the main parts.

Once I was back home in the studio, I began putting in the details, working from top to bottom, back to front (which means I paint the things that are farthest away first).

This is fun. It is classic “drawing with my paintbrush”, a frowned upon practice in the Art World. Hey Art World, are you wanting to buy my paintings? 

Silence.

Thought not. Well, I’m not making art for the Art World. Instead. . .

. . . I use pencils, oil paint, and murals to make art that people can understand, of places and things they love, for prices that won’t scare them.

P.S. It looks better in person (Yeah, I always say that, because they always do.)

Odd Job Times Five Continues

Painting on spheres the size of a tennis ball definitely qualifies as an odd job. Painting five of them means the odd job provides lots of opportunities to practice. 

I photographed each ornament after putting the next segments on them. This has to be done in parts, because wet paint on a complete sphere is a messy situation. After seeing these photos, it is clear to me that I need to be doing this in better light rather than at the end of the day when the light is low. 

This time I had the foresight to attach a wire, dig out the clothespins, open the ladder, and clip each ornament to the clothesline/pulley arrangement above the easels and painting tables. (Trail Guy assembled this so our friend who grows lavender would have a place to dry her bunches a few years ago).

There was paint left on the palette, and it is a shame to waste paint. It will keep overnight, and it does okay in the freezer for awhile, but I was heading up the hill and wouldn’t have a chance to use the paint before it got too tacky. So, I got out a photo of Mineral King and a 6×18″ canvas, figuring I could stretch the scene into a panoramic format.

Upside down forces me to evaluate the shapes correctly, not that it matters when I am distorting a scene to this degree. You can see that the colors are wrong. However, those are the colors that were left on the palette, and it really doesn’t matter for the first layer.

I can make this work. But first I need to finish the Large Important Oil Painting and make better progress on those five ornaments. Unless, of course, one of the four places that sells my work calls for more Mineral King paintings.

Classic Mineral King 2

Because of the short summer season at the Silver City Resort, I need to get the new 18×36″ classic Mineral King painting done quickly. These other paintings can wait a week or two, because I have a big ‘un to git dun.

There were some fabulous days weatherwise, and I knew it was a golden opportunity to paint in comfort.

Hey Tucker! Look at the painting, will you?Thanks, Buddy. I appreciate your opinion and that you took a break with me.

Remaining to be detailed: the 2 large trees, the stream, willows on the right, and rocks. Then I can return to painting the commissioned big tree and other Mineral King paintings. Oh, and finishing the big old country house pencil drawing too. There is also a potential 18×24″ commissioned oil painting, along with FIVE Christmas ornaments in the works. None of those have close deadlines, but it is good to always be ready for the next job that appears.

Classic Mineral King. . .

. . . in a new shape and type of light.

Have I painted this scene tall and narrow before? No. (Disregard the photo along side the painting – it was left there from a previous painting.)

Or in this evening light? I don’t think so.

Or with a dam on the creek? Nope 

I chose to leave off the smaller tree on the left. You probably wouldn’t notice if I didn’t tell you. This might be finished. Of course I can always add more detail. . . 

P.S. If you recognize this charming child, wish her a happy birthday today !

Shutter For Sale

Trail Guy helps me with my art business in lots of little ways, and a few bigger ones too. He likes power tools, and by using one he was able to secure a wire to the back of the shutter so it can hang on a wall.

Will it hang on your wall?

For $250 plus shipping (oh my, it is heavy compared to my normal paintings) plus tax (welcome to California unless you live in another state, in which case I would advise you to count your blessings) this one of kind painting can be yours.

And remember, EVERYTHING looks better in person (except those aforementioned news babes – see the post titled “Farewell at Dusk” if you are wondering when they were mentioned “afore”).

Mineral King Wildflowers 4

Are you tired of these posts yet?

In rethinking these paintings, I realized that this view is probably from White Chief. Or it could be from the Eagle/Mosquito trail. So, not all of the little Mineral King wildflower paintings are from the Franklin/Farewell Gap trail after all!

Mineral King Wildflowers 4, 6×6″, oil on wrapped canvas, $60

Mineral King Wildflowers 2

Let’s try this again with Mineral King wildflower painting #2.

Mineral King Wildflowers 2, 6×6″, oil on wrapped canvas, $60

I wonder if I show a painting a day if people will stop reading my blog, or if I will sell paintings. 

More will be revealed in the fullness of time. . .

Mineral King Wildflowers

I finished 8 little oil paintings of Mineral King wildflowers and realized that every single photo I chose to paint from was from the same trail. Well, duh. That trail, the Franklin/Farewell Gap trail, is always the best place to find reliable wildflowers. There are other places that are off-trail, but I don’t want to put that type of information on the World Wide Web.

Okay, time for painting #1, titled “Mineral King Wildflowers 1” (Clever, I know.)

6×6″, $60, oil on wrapped canvas, ready to hang