A Mess of Deer and Three Paintings

Trail Guy and I took a walk. As we were approaching home, this is what we saw.

After this excitement (plus the usual mess of turkeys in the yard), I went into the workshop to work on three paintings. One needed finishing, one needed more detail, and one needed the first layer.

This one got some wire on the fence, a signature, another cow, and the edges painted. This is a photo taken with the phone, but when it is dry, I will scan it for a more accurate representation.
The leaves and oranges on the front row might be finished. There are orange blossoms on the tree at the far right, but the idea of adding them to the rest of the row was a bit daunting (boring, actually).
I bet you can figure out what this 16×16″ canvas will be. Almost looks like a watercolor at this stage.

Progress On My Favorite Subject

For the past few years, my favorite subject to paint is orange groves with hills and mountains.I’ve had a large (for me) painting in progress in a time-out for awhile. In that bonus week between Christmas and New Year’s Day, I worked on it.

First, I photographed it, studied it on my laptop screen, and circled the parts that were not up to snuff (weird cliché, whose meaning I do not know).

I started with the mushy rows in the red oval. It’s all wet and shiny, so these photos may not appear to be an improvement.

The orange oval was next, and I kept expanding the area around it.

The upper right corner was next. I ignored the pink, yellow, and light green ovaled areas, because I am the boss.

Now let’s look at the painting as a whole.

The usual excuses for photography that doesn’t do justice to the verbal explanations: low light, shiny paint, photographed with inferior phone instead of camera, and of course, there are many areas remaining to be detailed. I can’t tell you that it will look better when it is scanned, because it is too big to scan. But I can tell you that it looks way better in person!

Feeling Fruity Around Here

Feeling fruity around here lately. A month or 2 ago, I painted this to decorate a banquet for a citrus marketing outfit.

A friend who has bought more of my paintings than anyone else saw this. She said, “If it doesn’t sell at the event, I want it!”

I took the painting to her, and she said, “I’ve been thinking. . . could you change one of these to a pomegranate? And include both kinds of persimmons?”

I said, “Sure, I can do that!”

Then I brought it home, thought it over, and decided to do a new piece for her. I dug through my fruit photos, looking carefully at the lighting and angles. Then, unlike my normal approach, I drew it out.

This is going to be good—colorful and well planned.

The other fruit painting I recently painted as a gift, I did without any real planning. I just pantsed it, trying this and that with paint, having fun with color.

I like it, and so does the recipient. Yeah, yeah, it probably would have been better to plan it. Sometimes I just rebel.

P.S. Good thing I painted a new one because the original, Citrus Row, sold at CACHE’s Holiday Fair!

Orange Oil Paintings, WHAT SHALL WE CALL THEM?

Liking this one, because it is oranges and a cobalt blue bowl
The bowl is more detailed here. If I hold it on a tilt, the wet shine doesn’t show.
Untilted, with a shine from being wet and more detail on the left-out orange.
The oranges in the bowl are improved here.
And I think it is finished, but of course it is shiny and wet. I’ll sign it after it is dry, then scan it. BUT WHAT SHALL WE CALL IT??
This is close to finished, but lacking contrast.
Much better, but WHAT SHALL WE CALL IT??

Obviously, I could use a little help with titles here.

“Oranges in a Blue Bowl” is too obvious; maybe I can think of a title that has to do with the fact that orange and blue are complementary colors. This means they are opposite one another on the color wheel—”complementary”, not “complimentary” such as “Oh my goodness, you are looking gorgeous today!”

Normally we think of ducks being in a row (WHY??), but I could call this “Citrus in a Row”. Nope, too obvious. “Citrus Variety” is boring.

Any ideas for me??

Four Finished Fruits

I know these aren’t just generic fruits, but the alliteration was too big of a temptation to resist.

“Half”, 6×6″, oil on wrapped canvas, $65
“Whole”, 6×6″, oil on wrapped canvas, $65
“Front & Back”, 4×6″, oil on wrapped canvas, $55
“Navel”, 4×6″, oil on wrapped canvas, $55

All these orange oil paintings are for sale at the Mural Gallery in Exeter, whose address might be 121 South E Street, and hours might begin at 11 a.m. but not on Tuesday, possibly not on Wednesday. Maybe you’d better call 559-592-3160 before just showing up, because clearly, I do not have solid information other than the fact that there is a boatload of great art in that tiny building.

Phew. Take a breath, Central California Artist.

More Orange Paintings, A Progression

These have more detail and are larger than the 4 small orange paintings I showed you last Friday.

That one is almost finished. It could be considered finished, but I don’t think it is as good as it could be. I’ll need to contemplate it for awhile.

This one will require quite a bit of drawing with my paintbrushes. I like to draw with pencils, and I like to draw with my paintbrushes when they cooperate.

It helps to see the shapes more accurately when things are upside down. This is not an option when painting from real life. Thank goodness I am a studio painter.

The blue bowl and its reflection will be a good challenge. I am really liking this one so far.

Not Enough Oranges

There is a marketing outfit for citrus, at least I think it is for marketing purposes. They have bought many pieces of orange-themed art from me through the years and are a pleasure to deal with.

Their annual banquet is coming up, and someone in the office asked me to lend them orange-themed art to decorate the lobby leading to the banquet room.

My 30+ years of experience tells me that my art won’t sell there. When the artist isn’t present and people are simply mingling, art does not sell itself. I am not invited to the banquet, and most likely I would decline the invitation. I have run out of the internal fire to schmooze and chit-chat in a loud room with the hopes of making connections that may or may not turn into work, and doing it in the town 30+ miles away at night when I am ready to park my patoot with a book and some knitting.

But this organization has been good to me, so if they want to borrow some art, my response is, “Certainly! How many pieces would you like?”

I took inventory and found 8 available pieces (one has to be borrowed from a gallery which is never open on the day when I am down the hill, but I will figure it out somehow). These are all similar scenes, and I decided that eight is not enough.

Here is a sample piece of my normal citrus scenes:

And here is what I need to paint, title, scan, and deliver DRY in time for the event:

This is a 10×10″ and a 6×18″, both a little different from my regular orange still-life paintings. Those regular ones sell steadily, but I bet most of the attendees to the banquet will have seen, bought, or received one of these already.

More Little Painting on Another Big Painting

 

If you have been reading my blog for the past 2 months, you have noticed that I haven’t been doing much in the way of artwork. Something just went silent, not “artist’s block” because I never run out of ideas. What was it? Two things: spring was so beautiful that all I wanted to do was work in the yard, and sales have dropped significantly so I didn’t want to keep building up inventory. (Too much stuff stresses me out, whether it is possessions, noise, items on a calendar, or people at a gathering; please forgive me for referring to people as “stuff”.)

After working on the Yokohl Oak painting, I worked a bit more on the big painting that I was hoping to someday hang in my dining area. It was just sitting quietly on the easel next to the oak tree, patiently waiting for some attention. The heat wasn’t too bad, I had an interesting podcast to listen to, and I had just killed a mosquito. (There is always one.) Why not keep painting?

It felt a little bit too hard, but my experience tells me that putting brush to canvas is the best way to overcome the feeling of inadequacy. So I dabbed a bit at those upper marks to turn them into oranges.

I couldn’t find a paintbrush that would cooperate. All the little ones did that annoying thing of gathering lots of paint but not releasing it. So, I moved into less detailed areas, just defining dark and light clumps, and actually counting the trees that appear in the front to match them with the trees in the photo. This is not because I need to be a Xerox machine; it is because in order to understand how things look, I need to actually LOOK at them. (or at a clear photo)

Getting better, but still lots of work ahead.

I am not in a hurry. This is for me, and I can take as long as I want and be as detailed as I desire. (“It’s my painting and I’ll draw if I want to, draw if I want to, draw if. . . “)

Someday this painting of the areas of Tulare County that I find so beautiful will be completed, Lord willing, and my vision don’t expire. (How many clichés can I butcher here?)

If you came here for Mineral King news and are disappointed, you can check the Mineral King website to see if anything new has been posted.

Loser to Best

This little painting was a loser because it wasn’t good enough for anyone to part with his hard-earned dollars, despite the fact that my works sells for prices that won’t scare anyone.

It is titled “Tulare County’s Best”, and although it shows what I believe to be the best that our rural Central California county offers, it wasn’t my best work.

It was my best plein air work at the time, because I was new to that style of painting.

But plein air painting isn’t my best work. 

Shut up about “best”!

I repainted it, and here it is, now deserving of its title.

Tulare County’s Best, 8×10″, oil on wrapped canvas, $125

OF COURSE IT LOOKS BETTER IN PERSON.